Instrumentation: for alto flute, English horn and soprano saxophone

A piece about the keying of the unsisono, which is displaced from a static into a liquid state.

Duration: 15' 00"

CHF: 17.30

Instrumentation: for English horn (violin, viola, violoncello) and guitar

A relatively easy to play, slow, transparent and colourful piece.

Duration: 6' 00"

CHF: 12.00

Instrumentation: for alto flute (flute) oboe (english horn) and soprano saxophone (alto saxophone)

A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.

Duration: 30' 00"

CHF: 44.00

Instrumentation: for english horn (or alto saxophone) and vibraphone

This composition is based on a poem bearing the same name by Rose Auslander. It advances in stages from spoken image, through associated image, to aural image. Version a: cor anglais and vibraphone Version b: alto saxophone and vibraphone

Duration: 6' 00"

CHF: 13.30

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

CHF: 12.00

Duration: 16' 25"

CHF: 29.30

Instrumentation: (1.1.1.ca.1/1.1.1.0/1perc/str)

A reflective, melancholic piece.

Duration: 6' 00"

CHF: 32.70

Instrumentation: for oboe (also English horn), alto saxophone, bass clarinet and bassoon (also contra bassoon)

Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.

Duration: 18' 00"

CHF: 28.20

In honor of Philippe Albera

Instrumentation: for oboe and english horn

The piece was inspired by the singing of my neighbor's two beautiful birds encased in one cage in front of my new residency in Fuzhou, China. Their singing aroused my curiosity. What were they singing for? How well were they getting along with each other? What were they discussing? About the past or the future? Life or death? Love or hatred? Nature or art? Freedom or confinement? Food or philosophy? Were they happy or sad? What if it was I myself who was encased in the cage with my love? No, no, no... It is not a good idea for us, but my neighbor and his wife should be!

Duration: 9' 30"

CHF: 17.40

Instrumentation: for oboe (oboe d'amore, English horn)

Duration: 6' 00"

CHF: 12.00

Instrumentation: für Sopraninoblockflöte, Klarinette, Englischhorn, Violine, Kastagnetten, Tempelblock, Zink, Trompete, Horn, Posaune, Laute, Harfe

12 Fragmente zum Heidelberger Totentanz: Der Konig, von allem stadt, Der bruder, Die junckfrauiwe, Der artzt, Der ritter, Der spieler, Der schriber, Der wucherer, Der kaiser, Der wirt, der dumherr.

Duration: 2' 00"

CHF: 9.00

Instrumentation: for oboe, string orchestra (6.6.5.4.3) and percussion

The oboist plays the oboe d'amore in the movements I, III, IV; oboe in the movements II, V and the English horn in movement IV.Work series A: Music for concerts.

Duration: 16' 00"

CHF: 32.70

Psalm 130 (129) in Armenian

Instrumentation: for soprano solo, English horn and four strings

Duration: 8' 00"

CHF: 16.20

Instrumentation: for alto, flute, English horn, viola, violoncello, small percussion

Texts: Karl Mittlinger

Work series A: Music for concerts.

Duration: 16' 00"

CHF: 32.40

Instrumentation: for monophonic choir, alto, orator, flute, English horn, viola, violoncello and small percussion

Texts: Karl Mittlinger und W.A. Mozart

Work series A: Music for concerts.

Duration: 25' 00"

CHF: 41.30

Instrumentation: for flute, oboe and English horn

Da der Tod - ...ahnten sie nicht - Trio pasquale:
A variety of settings: in the first part the whole ensemble; in the second the choir and the speaker are omitted, whilst the third features flute, oboe, and cor anglais. The three pieces are a religious triptych, but they can be performed separately. The first two cycles set texts by the Graz writer Karl Mittlinger to music. In the first part death is objectified in its many aspects; whilst in the last part, the speaker narrates sentences from Mozart's letters to his father, in which he describes his attitude towards death. The middle piece is concerned with form, life and the mission of Jesus, and closes with death and resurrection. The 'Trio Pasquale' is concerned with Easter, as seen by Maria Magdalena.
Work series A: Music for concerts.


Duration: 14' 00"

CHF: 22.20

Instrumentation: for oboe and two English horns

Duration: 13' 00"

CHF: 18.00

Instrumentation: for ensemble (Fl, cor Angl., Cl in Bb, Vl, Vla, Vc, Cb)

Duration: 15' 00"

CHF: 29.40