Instrumentation: for dance, double-bass (or violoncello), thunder board and electronic tape (CD/DAT or MD)

Duration: 17' 00"

CHF: 15.00

Instrumentation: for flute, clarinet, violin, double-bass, marimba, percussion and orator

Texts: Robert Peterhans

Quasi-accompanied readings of texts by Robert Peterhans. Mini-overture; country life; city life (the eventful 80's); love; music.

Duration: 30' 00"

CHF: 32.70

Seven pieces

Instrumentation: for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)

Texts: Erika Burkart

Based on poems by Erika Burkart.

Duration: 15' 00"

CHF: 37.80

Instrumentation: for two violins, two clarinets, double-bass and harpsichord

Duration: 10' 00"

CHF: 20.70

Instrumentation: for voice, trumpet (with mute), piano (or guitar) and double-bass

Texts: Sandy Patton

Duration: 6' 30"

CHF: 13.00

Instrumentation: for double-bass solo

Duration: 10' 00"

CHF: 16.80

Instrumentation: for soprano, double-bass (or violoncello) and piano

Texts: Spanisch (Christof Jung)

A seven-part cycle based on anonymous Spanish verse, translated by Christof Jung.

Duration: 21' 00"

CHF: 30.00

Cycle with poems by Georg Trakl

Instrumentation: for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double-bass

Texts: Georg Trakl

An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.

Duration: 20' 00"

CHF: 68.70

13 Pieces

Instrumentation: for piano, double-bass and percussion

Duration: 35' 00"

CHF: 32.00

Instrumentation: for speaking voice, guitar and double bass

Texts: Miguel Cervantes

Over a sonnet from "Don Quixote".
On youtube: http://www.youtube.com/watch?v=wNnRCy7W0Ws

CHF: 12.60

Cycle based on poems by Josef Kopf

Instrumentation: for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)

Texts: Josef Kopf

Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

Duration: 29' 00"

CHF: 66.70

Instrumentation: for twenty-two string instruments

Duration: 3' 00"

CHF: 18.00

Instrumentation: for 2 celli, double bass and harp

Duration: 9' 00"

CHF: 17.40

Instrumentation: for string quartet and double-bass

The musical development of the string quartet is in conflict with the hecklings of the double-bass.

Duration: 18' 00"

CHF: 25.30

Instrumentation: for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)

"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).


Duration: 12' 00"

CHF: 34.00

Instrumentation: for violin, viola, violoncello and double-bass

Duration: 10' 00"

CHF: 18.70

Instrumentation: for flute, oboe, bass clarinet, horn, two percussion, violin, viola, violoncello and double-bass

Horn and percussion accentuated.

Duration: 9' 00"

CHF: 43.80

Instrumentation: for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba

Duration: 17' 00"

CHF: 32.70

Instrumentation: for violine and double-bass

When two unequals do the same the result is a difference, if they do different, a generic third can evolve.

Duration: 15' 00"

CHF: 16.00

Instrumentation: Violoncello, Kontrabass

Duration: 7' 55"

CHF: 16.20

Instrumentation: for Soprano, alphorn and double-bass

Texts: Chinesisch

A wealth of discourse is presented in this piece, a poem interpreted according to the Yi Chang technique used for thousands of years to declaim poetry, quotes from contemporary Zen texts, Buddhist prayers and the Swiss yodel.

Duration: 15' 25"

CHF: 16.20

Instrumentation: for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double-bass

"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

Duration: 7' 00"

CHF: 18.60

Instrumentation: for seven players (fl[=pic].bcl.Ebcl/2vn.vc.db) and sound technician

A single movement in eleven parts with play-back tape commissioned by the 'Luzerner Kammermusiker'.The tape is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as its theme.

Duration: 16' 45"

CHF: 26.70

Scenic composition

Instrumentation: for four guitars, two mandolins, dulcimer, viola, 2 double-bass, saxophone, trombone, tuba, accordeon and three percussion instruments

Spatial composition based on the sound memories of the musicians/singers.

Duration: 25' 00"

CHF: 36.70

Instrumentation: for choir (SATB), oboe, viola, xylophone, percussion, organ and double-bass

Texts: Bibel / Liturgie

Musical setting of the 100th Psalm.

Duration: 7' 00"

CHF: 19.80

Instrumentation: for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)

Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.

Duration: 12' 00"

CHF: 24.60

Instrumentation: for boy and mixed choir, clarinet, harp and double-bass

Texts: Hans Leopold Davi

To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.

Duration: 18' 00"

CHF: 22.70

Instrumentation: for bass clarinet / Eb clarinet, bassoon, horn, two violins, viola, violoncello and double-bass

Duration: 7' 00"

CHF: 22.80

Instrumentation: for three improvising musicians (any instruments), string orchestra and harpsichord

The improvised part is composed for wind instruments, double-bass and drums, but can just as easily be realised using other instruments.

Duration: 31' 00"

CHF: 34.00

Instrumentation: for violin, guitar, double-bass and strings (4.4.2.2.0)

A major, a minor, an augmented and a diminished triad, giving all twelve tones of an octave, are woven together harmonically and melodically (serial). Predominantly modal rhythm, determinate sound room, differentiated dynamic. Three short expressionistic pieces. Difficult.

Duration: 11' 00"

CHF: 22.70

Instrumentation: for oboe, viola I and II, violoncello and double bass

Duration: 7' 00"

CHF: 13.80

Instrumentation: pour clarinettiste et ensemble

Duration: 14' 00"

CHF: 43.20

Instrumentation: for flute, clarinet, harp, string quartet and double-bass

Duration: 12' 00"

CHF: 18.00

Instrumentation: for guitar and double-bass

La Ciudad perdida - Burundanga - Raices.

Duration: 10' 00"

CHF: 22.70

Instrumentation: ssx, asx ,tsx, pf, bass, dm

Duration: 11' 00"

CHF: 12.60

Instrumentation: for female choir, two guitars and double-bass

Texts: Juana de Ibarbourou, Gabriela Mistral, Delmira Agustini

La nueva esperanza - Hímno al árbol - Explosión.

Duration: 12' 30"

CHF: 31.30

Instrumentation: for oboe, clarinet, violin and double bass

Composition by Eric Gaudibert / Nicolas Bolens.
This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other.
The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.

Duration: 7' 30"

CHF: 14.40

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 5' 00"

CHF: 12.00

Instrumentation: for five strings (2vn.va.vc.db) and tansverse flute

Duration: 20' 00"

CHF: 37.20

Instrumentation: for altus, bass clarinet, double-bass and piano

This piece, without text, was written for the altus Luiz Alves da Silva. It works primarily with oscillating, non transition forming elements such as register change, upbow - downbow, to and fro movements etc. Continually changing parameters such as dynamics and tempo transitions are to be avoided in so far as they are not induced by the instrument or the human being itself.

Duration: 8' 00"

CHF: 20.00

Instrumentation: for string quartet, tenor saxophone, percussion, bass clarinet and double-bass

Duration: 9' 00"

CHF: 52.80

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 7' 00"

CHF: 14.40

Instrumentation: for baritone, orator, accordion, double-bass, saxophone, percussion and a dance duo

Texts: Thomas Huonker, Peter Zahl, Alltags- Werbe- Mediensprache

A piece requiring demanding rehearsals. The speaker should draw on his talent for rhythm. The sung sections can be performed by a tenor with a good lower register. Uses texts by Thomas Huonker, Peter Zahl, and newspaper cuttings.

Duration: 13' 00"

CHF: 46.00

Instrumentation: for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion

An initial piece based on repetition in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft, with lots of sounds and lots of interlocking rhythms. Requires a conductor.

Duration: 20' 00"

CHF: 34.00

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 5' 00"

CHF: 16.80

Instrumentation: for two sopranos, alto and double-bass

Texts: Anna Achmatova (Mathilde F. Anneke), Dorothee Sölle, Hanna-Renate Laurien, Käthe Kollwitz, Wera Figner, Adelheid Duvanel

Five songs requiring a broad, expressive spectrum.

Duration: 23' 00"

CHF: 29.40

Instrumentation: for voice, violin, bandoneon, piano and double bass

Duration: 5' 00"

CHF: 16.80

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 10' 00"

CHF: 21.00

Instrumentation: for flute, clarinet, horn, violin, violoncello and double-bass

A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.

Duration: 6' 30"

CHF: 13.80

Instrumentation: Flöte, Bassklarinette in B, Horn, Violine, Violoncello, Kontrabass, Klavier, Percussion

Duration: 12' 00"

CHF: 31.20

Instrumentation: for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass

Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.

Duration: 11' 00"

CHF: 63.00

Instrumentation: for male choir and string quintet (2vn.va.vc.db)

Duration: 15' 00"

CHF: 40.70

Instrumentation: for violin, guitar and double-bass

After searching for ones own identity one finds ones own songs.

Duration: 23' 00"-25' 00"

CHF: 24.70

Catata

Instrumentation: for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))

Texts: Patrice de la Tour du Pin

Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.

Duration: 19' 00"

CHF: 74.00

Instrumentation: for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion

I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.Piano and trumpet accentuated.

Duration: 20' 00"

CHF: 45.30

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

CHF: 12.00

Instrumentation: version for contrabass solo

The title originated from the the Chinese ancient music "Shao". In 517 B.C., Confucius arrived in the country of Qi. On hearing "Shao" in the royal palace, he praised it highly as being "the most beautiful, and also the most honest!" "Confucian Analects" include: "after hearing Shao, Confucius was so touched that he could not enjoy the taste of the meat for three months".
Utilises modern techniques which avoids the loss of the graceful characteristics of the guqin (Chinese ancient lute - about 3000 years old, with seven strings). The piece, originally composed for quqin, is now transposed to double bass. It simultaneously benefits from many of the quqin's special skills so its status is neither quqin nor double bass, neither Orient nor Occident, neither classic nor contemporary, neither traditional nor modern… between conscious and unconscious.

Duration: 7' 00"

CHF: 14.00

Instrumentation: for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass

This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

Duration: 20' 00"

CHF: 41.40

Instrumentation: for live electronics and double bass

Duration: 10' 15"

CHF: 13.80

Ein musikalisches Patchwork oder die Kunst des Fügens

Instrumentation: for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)

A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.

Duration: 50' 00"

CHF: 100.40

Instrumentation: for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion

Duration: 20' 00"

CHF: 34.00

Instrumentation: for string quartet

CHF: 26.70

Instrumentation: for clarinet, bassoon, horn, violin, viola, violoncello and double-bass

Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.

Duration: 18' 00"

CHF: 32.40

Instrumentation: for counter-tenor, recorder, viola, violoncello, double-bass and organ

Texts: Bibel / Liturgie

Text: Psalms 144,4.At the heart, danger, desolation, and fragility are what most characterise this piece. The choice of notes is limited, and only collectively can their meaning be known.

Duration: 5' 00"

CHF: 14.70

Instrumentation: for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)

Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.

Duration: 12' 00"

CHF: 40.80

Praphrase of Cameroonian hymns

Instrumentation: for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass

Duration: 18' 00"

CHF: 43.20

Instrumentation: for voice (altus), recorder(s), violin, gamba and doublebass

This project is a collaboration between video art and a musically open play disposition in the room. Based on a text by Thomas Locher, with the Scappatella Ensemble and the video artist Judith Albert.
CD and video with the composer.

Duration: 50' 00"

CHF: 21.00

Instrumentation: for viola, violoncello and double-bass

Composed after the idea of monophonic lines with nuances in colour such as rotary movement and superimposition of rhythmical and melodic sequences.

Duration: 13' 00"

CHF: 17.30

Instrumentation: for transverse flute, natural horn, double bass

Formal references lead to the grotesque paintings of the Domus Aurea rooms in Rome. As regards content, the sirens have their grand appearance.

Duration: 10' 00"

CHF: 16.00

Instrumentation: for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)

Duration: 10' 00"

CHF: 17.30

Six part work block

Instrumentation: for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)

Duration: 20' 00"

CHF: 54.00

Instrumentation: for double bass solo, string quintet, wind quintet, piano and percussion

Duration: 38' 00"

CHF: 74.90

Concert piece

Instrumentation: for choir (SATB), violin, double bass and organ

Commissioned by the Cantorin Contenti Zug. Even though the starting point for this composition is texts from Bach's "Jesu, meine Freude", "Gesten - Nichts" still remains a rudimentary music of sound and noise.

Duration: 14' 00"

CHF: 17.40

Instrumentation: for 3 concert double basses (or 3 violoncelli)

"Musik für drei Kontrabässe" is a diversified piece of music in four movements, each carrying a programmable title:
I Einmarsch,
II Schizophrene Spielchen,
III Hoffnungslosigkeit,
IV Danza sarcastica,
This piece musically depicts the invasion of Czechoslovakia by the Soviets (1968) and the years that followed. The music does not necessarily need a programme.

Duration: 12' 00"

CHF: 16.80

For Cristin Wildbolz.
The course of motions is derived partly from simple normal bass playing and partly from musical motion sequences.

Duration: 14' 00"

CHF: 15.60

Trio

Instrumentation: for violoncello, double bass and trombone

1. RetroSehnsucht
2. Assoziationsfelder
3. Environment, komplementär

Duration: 14' 00"

CHF: 22.00

Instrumentation: for double bass solo and percussion (large drum, cymbals, guiro)

CHF: 18.00

Instrumentation: for double-bass and accordion

The first part of this work gives the double-bass a virtuoso role. The two instruments are now independent as far as their character and the tempo is concerned. In the second part the double-bass and accordion merge in a lyrical and poetic way. This work resulted in two solo versions: 'Deux ou trois pas...' for double-bass and 'Deux pas dans le gris' for accordion.

Duration: 10' 00"

CHF: 18.60

Instrumentation: for flute and double bass

Duration: 12' 00"

CHF: 16.20

Instrumentation: Countertenor, Flöte (+Altflöte), Klarinette (+Bassklarinette), Violine, Viola, Violoncello, Kontrabass, Klavier, Schlagzeug

1. Bereschith (hebräisch), 2. Abwun d'bwaschmâja (aramäisch), 3. Sura Al-Imran (arabisch), 4. Kadacit (sanskrit), 5. Essais (Montaigne, alt-französisch), 6. Phaidon (Platon, griechisch) 7. Vivamus (Catull, latein), 8. Leaves of Grass (Whitman, englisch) 9. Em-chet (Ptahhotep, alt-arabisch) dazwischen Sequentia I - VI

Duration: 59' 44"

CHF: 83.20

Instrumentation: for melodica and objects, saxophone (bar, a) trombone, violin, viola, double bass and voice (soprano)

Texts: Hadrian

A trip to and into the Pantheon in Rome in four parts: Tympanon,
Pronaos, Innenraum, Opaion. The performance places the Endless Column in Targo Jiu by Constantin Brancusi into the Pantheon.

Duration: 14' 00"

CHF: 52.00

über Gedichte von C. Morgenstern

Instrumentation: für Gesang, Violine, Cembalo u. Kontrabass

Texts: Christian Morgenster

Duration: 17' 00"

CHF: 20.70

Instrumentation: for double-bass solo

Inspired by a rondeaux by G. de Machaut, this piece is constructed of strophes in a parlando style. With comments using basic harmonic sounds. A quotation of a song taken from 'Remède de Fortune' concludes the work.

Duration: 10' 00"

CHF: 16.20

from Leaves of Grass/on the Beach by Walt Whitman

Instrumentation: Sopran, Flöte, Klarinette, Violine, Viola, Violoncello, Kontrabass, Klavier

Texts: Walt Whitman, Leaves of Grass

Duration: 13' 00"

CHF: 20.40

Instrumentation: Kontrabass 5-saitig, Stimmung: Kontra-H, E, A, d, g

Duration: 6' 00"

CHF: 9.00

Instrumentation: für tentet (fl, ob, cl, bn, hn, 2vn, va, vc, cb)

Duration: 20' 00"

CHF: 40.80

Instrumentation: for double-bass

Duration: 9' 00"

CHF: 25.20

Instrumentation: Bariton (B - f') und Violoncello oder Bariton und Kontrabass

Texts: Conrad Ferdinand Meyer

Duration: ' 52"

CHF: 9.00

Concert Nr. 2

Instrumentation: for Double Bass, Bandoneon, Piano and String Orchestra

CHF: 20.00

Instrumentation: for double-bass and percussion

The instruments form a dialogue on fields of varying length, either in harmony or in contrast; differentiated rubbing noises play an important part in the adaptation. The percussion uses only two toms, two bongos, a cymbal, a thunder sheet and two woodblocks.

Duration: 10' 00"

CHF: 18.70

Instrumentation: for oboe, bassoon, horn, trombone, violin, viola, violoncello and double-bass

Duration: 9' 00"

CHF: 19.30

Instrumentation: for four double-bass and four clarinets ad libitum

First performed in Berlin, October 2002.

Duration: 5' 00"

CHF: 15.60

Instrumentation: for clarinet (bass clarinet), accordion and double-bass

The initial point of departure for this composition is the contrast between calm and hectic unfolded in transitions and tempo cuts on nine basic figures which, with time, develop a rich life of their own. The initial impetus provokes processes on other levels - almost like in real life.

Duration: 13' 00"

CHF: 17.40

Instrumentation: for cantor, three sopranos, mixed choir, congregation, three orators, three flutes, violoncello, double-bass and bongos

Duration: 12' 00"

CHF: 20.40

Instrumentation: for oboe, clarinet, bassoon, double bass and percussion

The three miniatures are the reshaping of the structure and instrumentation of three laconic parts of my opera "Die Axt" after "Graf Öderland" by Max Frisch, which I composed as a commission for the Komischen Oper Berlin.
Schlaglicht I is taken from the end of the 2nd act. In Schlaglicht II, the wind instrumentalists play excerpts from the three trumpets in the 1st act, while the percussion and double bass develop a new oppositional layer. Schlaglicht III transposes almost the entire 5th act where the bassoon and oboe intonate the duet between the central character and his partner, while the clarinet and double bass play the accompanying trumpet and tuba and the percussion brings in a new line.

Duration: 4' 00"

CHF: 16.80

A project between improvisation and composition

Instrumentation: for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass

The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.

Duration: 58' 00"

CHF: 18.60

Instrumentation: for soprano and double bass (or soprano and piano)

Texts: Christian Morgenstern

In a dialogue between a bell and a cannon, the cannon exhibits its sisterly nearness: "Today they are yours and pray, tomorrow they are mine and kill." The bell vehemently rejects this kinship with the cannon. But is the cannon really wrong? Are religion and War not often twinned? On the one hand, the musical setting accentuates the contrast between the soprano and double bass, even working within the two parties with extreme contrasts. On the other hand, the double bass occasionally ascends the lofty heights of the soprano and twins itself with the voice.

Duration: 6' 00"

CHF: 12.60

Instrumentation: Flöte, Klarinette, Klavier, Violoncello, Kontrabass

Duration: ' 30"

CHF: 9.00

Ergon 59, Musikwerknummer 1785

Instrumentation: Flöte, Kontrabaß und Klavier

Mikrotonalität, strukturelle Vielfalt und Verdichtung als Möglichkeit, in die Tiefe der musikalischen Substanz vorzudringen.
Kompositionsauftrag des "Art Ensembles Berlin", mit finanzieller Unterstützung der SUISA-Stiftung für Musik.
UA am 17.6.2017 am "3. Berliner OaarWurm-Festival für zeitgenössische Tonkunst"

Duration: 11' 30"

CHF: 26.40

Instrumentation: für Jugendensemble (Alt-Saxophone in Es, Horn in F, Marimbaphon, Klavier, Akkordeon, Violine, Kontrabass)

Duration: 11' 00"

CHF: 36.60

Instrumentation: for ensemble (Fl, cor Angl., Cl in Bb, Vl, Vla, Vc, Cb)

Duration: 15' 00"

CHF: 29.40

Ein musikalisches Kasperlitheater

Instrumentation: Sprecher*in, Klarinette, präp.Klavier, vl, vla, vc, kb

Texts: anonym, Schweizer Volkslied

Entstanden im Beethoven-Jubiläumsjahr als Auftrag des Ensemble Paul Klee. Das Stück nimmt Bezug auf die sechs Klavier-Variationen über ein Schweizer Lied WoO 64 von Ludwig van Beethoven.

Duration: 7' 00"

CHF: 12.60

2nd version, Parergon 12, No. 39,2, music work number 2201

Instrumentation: Tenor, soprano, electric guitar, keyboards, bass and drums

Texts: René Wohlhauser

Song in English on a vocal text by the composer.
World premiere: 25 June 2023, Basel, Haus zur Musik, Trio Simolka-Wohlhauser-Seiffert.
ISBN 978-3-907467-13-8

Duration: 4' 15"

CHF: 18.00