Instrumentation: for flute, string trio, harp (or bass), piano and electronic tape (CD/DAT or MD)

Texts: Christina Thürmer-Rohr

Based on a text by Christina Thürmer-Rohr.

Duration: 13' 00"

CHF: 53.40

Seven pieces

Instrumentation: for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)

Texts: Erika Burkart

Based on poems by Erika Burkart.

Duration: 15' 00"

CHF: 37.80

Cycle based on poems by Josef Kopf

Instrumentation: for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)

Texts: Josef Kopf

Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

Duration: 29' 00"

CHF: 66.70

Instrumentation: for 2 celli, double bass and harp

Duration: 9' 00"

CHF: 17.40

Melodrama

Instrumentation: for voice, string quartet, flute and harp

Over a poem by Eduard Mörike.
Difficult interplay.

Duration: 9' 00"

CHF: 22.80

Instrumentation: for two clarinets, two harps, piano, six percussion, two orators and four choir groups

Texts: Guillaume Apollinaire

For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.

Duration: 16' 00"

CHF: 38.00

The sounds of this instrumentation almost always calls associations with "Once upon a time…." The fairy tale begins…

Duration: 13' 00"

CHF: 24.60

Cycle based on poems by Elisabeth Heck

Instrumentation: for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola

Texts: Elisabeth Heck

Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.

Duration: 30' 00"

CHF: 50.70

Instrumentation: for flute, viola and harp

Duration: 7' 00"

CHF: 24.70

Instrumentation: for amateur choir, youth choir (both also speaking choirs), congregation, mezzo-soprano, baritone, liturgist, harp, organ and two percussion

Texts: Bibel / Liturgie

A composition in various scores based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone.Intermediate to difficult level.Liturgical duration: 60'

Duration: 31' 00"

CHF: 36.00

Instrumentation: for baritone and instrumental quintet (fl.cl/hp/va.vc)

Texts: Henri Gaberel

Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.

Duration: 16' 00"

CHF: 34.20

Instrumentation: for flute, viola and harp

In 'Le chant des livrées', two old "chansons du mariage" were combined, rhythmically superimposed and their sounds distilled.

Duration: 6' 20"

CHF: 15.30

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

CHF: 56.70

Instrumentation: for four harps

1. El guajiro y la serpiente 2. Luces del trópico 3. La isla del olvido 4. El papagayo adivino

Duration: 12' 00"

CHF: 36.00

Instrumentation: for harp solo

A widening of the harp's sound spectrum using preparation and unconventional playing techniques.

Duration: 9' 00"

CHF: 16.80

Instrumentation: for boy and mixed choir, clarinet, harp and double-bass

Texts: Hans Leopold Davi

To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.

Duration: 18' 00"

CHF: 22.70

Instrumentation: 3 Flutes, 1-3 doubling Piccolo; 3 Oboes; 3 Clarinets in Bb, 2nd doubling Clarinet in Eb, 3rd doubling Bass Clarinet; 3 Bassoons, 3rd doubling Contrabassoon; 4 Horns in F; 3 Trumpets in C, 3rd doubling Piccolo Trumpet in Eb; 3 Trombones; 1 Tuba; 4 Percussionists; Harp (1 player, 2 Harps, one tuned in quarter tones); Piano/Celesta (piano, six pitches are tuned in quarter tones); Accordion, tuned in quarter tones; Strings (12-10-8-6-6); Choir: S-A-T-Bar-B (approx. 40 singers)

Duration: 78' 00"

CHF: 115.20

Instrumentation: for flute, clarinet, harp, string quartet and double-bass

Duration: 12' 00"

CHF: 18.00

Instrumentation: for alto flute, basset horn, violoncello and harp

A further independent version of 'Re-version of a Verse' which was left open for harmonic and formal additions. Intertwining structured sound surfaces; timbral changes.
First performed: 12.5.00, Zumikon by I.Bende (fl), V.Wandeler (bhn), B.Göttert (vc), I.-L. Stettler-Jansen (hp), Philipp Hefti (cond.).


Duration: 9' 45"

CHF: 18.00

Instrumentation: 3.3.3.3/4.3.3.1/1 Harfe/Celesta/4 Perk./Akkordeon gestimmt in Vierteltöne/12.10.8.6.6

Seven Towers 1-7 - ein Orchesterzyklus in sieben aufeinanderfolgenden Teilstücke von 80 Minuten Dauer. Die sieben Teile gestalten sich durch musikalische Verlaufsprozesse, die sich in jedem Satz anders formulieren. Verlaufsprozesse beschreiben das musikalische Geschehen beim aktiven Hören im Moment der Wahrnehmung. Sieben musikalische Klangräume wurden erstellt, um die Verläufe deutlich von einander abzuheben. Die Musik möchte innere Räume öffnen, ja vielleicht sogar an äussere Räume erinnern. Die Teilstücke sind so geschrieben, dass sie als ein einziges Kontinuum spielbar sind. Die einzelnen Teilstücke können aber auch einzeln gespielt werden. Das erste Teilstück bildet die Grundstruktur des gesamten Zyklus. Es stellt eine Mikrostruktur dar, die sich in der Makrostruktur des Gesamtwerkes wiederspiegelt: es gründet auf sieben aufeinander folgenden Klangräumen, welche die musikalischen Elemente vorstellen. Jedes der darauf folgenden Teilstücke bezieht sich auf die Materialien und entwickelt die Ideen weiter.

Duration: 9' 00"

CHF: 26.00

Instrumentation: 3.3.3.3/4.3.2.1/1 Harfe/Celesta/Akkordeon gestimmt in Vierteltöne/4 Perk./12.10.8.6.6

Duration: 7' 00"

CHF: 20.00

Instrumentation: for flute, bassoon and harp

Nocturnal - Danzón - Poema Místico.

Duration: 9' 30"

CHF: 24.00

Music

Instrumentation: for flute, viola and harp

The spirit of the healing ritual "night song" of the Navajo Indians translated into music.

Duration: 17' 00"

CHF: 25.80

Instrumentation: for sextet (fl.hn.asx/hp.cel/gtr)

Duration: 9' 00"

CHF: 28.20

Miniatures

Instrumentation: for harp and violoncello

Duration: 7' 00"

CHF: 14.00

Instrumentation: for mandolin, guitar and harp

Duration: 10' 00"

CHF: 25.20

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.

CHF: 125.20

Instrumentation: for flute, viola and harp

Also required for one of these pieces: a pedal bass drum, some glasses and stones.

Duration: 16' 00"

CHF: 22.70

Catata

Instrumentation: for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))

Texts: Patrice de la Tour du Pin

Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.

Duration: 19' 00"

CHF: 74.00

Instrumentation: for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)

Duration: 6' 00"

CHF: 19.80

Instrumentation: for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass

This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

Duration: 20' 00"

CHF: 41.40

Instrumentation: for 4 harps

Duration: 12' 00"

CHF: 36.00

Instrumentation: for harp

Myterious and ruminant work, almost oriental. In the middle the piece retrogrades back to the beginning.

Duration: 10' 00"

CHF: 16.00

Instrumentation: für Flöte, Fagott und Harfe

Duration: 12' 00"

CHF: 15.60

Instrumentation: for soprano and harp

Popular text taken from a Sardinian lullaby.

Duration: 6' 00"

CHF: 12.00

Instrumentation: for flute and harp

Zwielicht = Twilight
Uses the piccolo flute and the alto flute in G. Written almost entirely in space notation. High level of difficulty.
Accessories: a bow for the harp.


Duration: 11' 30"

CHF: 18.00

13 marches for decimated plucked-instrument orchestra

Instrumentation: for mandolin, guitar and harp

Duration: 7' 00"

CHF: 24.00

Cantata

Instrumentation: for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ

Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz

The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.

Duration: 38' 00"

CHF: 48.00

Instrumentation: for saxophone quartet, harp and string orchestra

Duration: 19' 00"

CHF: 57.60

Instrumentation: for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)

Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.

Duration: 8' 30"

CHF: 17.30

Instrumentation: for alto saxophone, string orchestra, harp, vibraphone and marimbaphone

Duration: 21' 00"

CHF: 31.80

Instrumentation: for eight instruments

Duration: 11' 00"

CHF: 53.40

Instrumentation: for eight instruments (fl.cl/hn/cel/hp.pf/2perc)

Duration: 15' 00"

CHF: 30.00

Instrumentation: for harp and piano

This duo is composed of several parts differing in character, tempo and meter. The parts are to be performed atacca.

Duration: 15' 00"

CHF: 30.00

A colourful, tonally differentiated 'address' using the minimum of material and with as direct a resemblance to spoken language as possible.

Duration: 4' 30"

CHF: 12.00

Ergon 23

Instrumentation: for flute, viola and harp (harp trio)

'Quantum streaming' is defined by Gilles Deleuze as the transition of one energy state to another. In this piece I am mainly interested in the different energy forms, primarily potential energy and kinetic energy: What is the nature of the positional condition and the positional orientation, resp. energy density and energy transformation capabilities which charge a potential energy and set a process in motion.

Duration: 10' 00"

CHF: 30.00

Instrumentation: für Sopraninoblockflöte, Klarinette, Englischhorn, Violine, Kastagnetten, Tempelblock, Zink, Trompete, Horn, Posaune, Laute, Harfe

12 Fragmente zum Heidelberger Totentanz: Der Konig, von allem stadt, Der bruder, Die junckfrauiwe, Der artzt, Der ritter, Der spieler, Der schriber, Der wucherer, Der kaiser, Der wirt, der dumherr.

Duration: 2' 00"

CHF: 9.00

Instrumentation: for mezzo-soprano, guitar, harp and orchestra

Texts: Heinrich Heine

The author added several short pieces to this famous song by Felix Mendelsohn and set it for chamber orchestra. The song shines with previously unknown colour and beauty.

Duration: 2' 30"

CHF: 15.00

Instrumentation: for flute and harp

Duration: 4' 30"

CHF: 14.40

Instrumentation: for female speaker or harp solo (et al)

Duration: var.

CHF: 12.00

Instrumentation: for two harps

Duration: 21' 00"

CHF: 30.00

Instrumentation: for mezzo-soprano and harp

Texts: Niki de Saint Phalle

These nine pieces set to music texts written about the tarot cards by Niki de Saint Phalle. The texts are 'programme notes' for her sculptures in the "Jardin des Tarots".

Duration: 16' 00"

CHF: 23.40

Instrumentation: for pan pipes and harp

Duration: 5' 00"

CHF: 14.40

Instrumentation: for flute, viola and harp

The title alludes deliberately to the custom of the 16th century, without revealing its associated theme.... The composer took another impulse from the tradition: the use of the modal method, particularly in view of one of the harp's peculiarities.
Work series A: Music for concerts.


Duration: 15' 00"

CHF: 26.40

Instrumentation: for 2 celtic harps

Duration: 3' 00"

CHF: 19.80

Instrumentation: 4 Harfen (keltisch oder Pedalharfen)

Dieses Werk kann gut von fortgeschrittenen Laien gespielt werden.

Duration: 4' 00"

CHF: 11.40

Instrumentation: for flute, viola and harp

Work series A: Music for concerts.

Duration: 7' 00"

CHF: 18.00

Instrumentation: for traverse flute and harp

Meditation - Tanz - Passacaglia.

Duration: 12' 00"

CHF: 17.40

Hommage à E.A.Poe

Instrumentation: for harp solo

Duration: 7' 30"

CHF: 14.00

Instrumentation: Flöte, Klarinette in B (Bassklar.), Schlagzeug, Harfe, Violine, Viola, Violoncello

Holzschnitte sprechen einfache Wahrheiten ohne viel Beiwerk unzweideutig, unmissverständlich und bisweilen auch verletzend direkt aus. Nicht zuletzt deshalb sind Holzschnitt in der politischen Kunst des 20. Jahrhunderts oft verwendet worden. In der Komposition "Holzschnitte" geht es in diesem Sinne in 7 sehr unterschiedlich langen Teilen um einfache musikalische Archetypen, die durch Überlagerung der 7 Instrumente (also Polyphonie) und Variation durchaus eine gewisse Komplexität entwickeln können. Im 4. Teil werden analog dazu in Stichworten das Scheitern und die enorme Zahl menschlicher Opfer bei der Umsetzung sozialistischen Ideologie in der Realität verbal ausgesprochen. Nur Vietnam bleibt als positives Beispiel übrig.



Duration: 12' 00"

CHF: 22.80

Instrumentation: for harp and accordion

Kombination von Musik, Bewegungsperformance und Klanginstallation (4 programmierte Mini-Lautsprecher werden vom Komponisten zur Verfügung gestellt.)


Duration: 11' 00"

CHF: 9.00