Colourful sound surfaces alternate with melodic and rhythmically stamped passages.

Duration: 12' 00"

CHF: 27.00

Instrumentation: for forty strings (12.10.8.6.4)

Duration: 12' 00"

CHF: 22.80

Instrumentation: for singing voice and strings (or string quartet)

Texts: Peter Weibel

The autumn atmosphere becomes music, as delicate as poems by Weibel. Relatively simple to perform. An appeal to the musicality of interpreters...

Duration: 14' 00"

CHF: 16.20

Ecclesiastical concert

Instrumentation: for tenor, baritone, choir and string orchestra

Duration: 20' 00"

CHF: 31.80

Instrumentation: for twenty strings (6.6.3.4.1)

A three-part piece written for an amateur choir.
Andante inquieto - Prestissimo e molto energico - Andante Tranquillo.
A quasi autobiographical chronicle of a day in the life of a mother with two small children. A commission by Chris Walton for the 'Witikoner Streichorchester'.


Duration: 4' 00"

CHF: 34.00

Instrumentation: (8, 8, 4, 4 - 4 Schlgz)

A rewarding piece, effective and relatively accessible to the public.

Duration: 25' 00"

CHF: 44.70

Ecclesiastical concert

Instrumentation: for baritone and string orchestra

Duration: 5' 00"

CHF: 22.80

Instrumentation: for string orchestra

Duration: 5' 00"

CHF: 13.20

Instrumentation: for string orchestra

Passacaglia in four movements: "Ich bin, ich weiss nicht wer; ich komme, ich weiss nicht woher; ich gehe, ich weiss nicht wohin; mich wunderts, dass ich so fröhlich bin." From the 'cherubinischen Wandersmann' by Angelus Silesius.

Duration: 16' 00"

CHF: 22.80

Instrumentation: for string orchestra

Duration: 5' 00"

CHF: 19.20

Demanding solo voices with amateur choir.

Duration: 25' 00"

CHF: 39.60

Instrumentation: for string octet with sound-file playback

Duration: 12' 00"

CHF: 49.30

Instrumentation: for sixteen solo strings (9.3.3.1)

Refined, far-reaching music with multifaceted sound appearances which, having scarcely taken shape, quickly evaporate, spinning away.

Duration: 16' 00"

CHF: 51.00

Instrumentation: for violoncello solo and nine strings (2.2.2.1)

Duration: 16' 00"-17' 00"

CHF: 36.00

Instrumentation: for flute, oboe and organ (or strings)

Duration: 6' 00"

CHF: 15.00

Instrumentation: for wind quintet and strings

A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quintet.

Duration: 15' 20"

CHF: 49.80

für Orgel, Oboe, Streicher Concertino und Streichorchester ripieno

Instrumentation: Orgel, Oboe solo, Vl. 1 + 2 soli, Vla solo, Vlc. solo, Kb. solo, Streicher ripieno: Vl. 1 + 2, Vla., Vlc., Kb.

Duration: 25' 30"

CHF: 69.30

Instrumentation: for string orchestra (8.8.4.4.2)

Funeral music, polytonal and chromatic, emotional micro intervallic sound surfaces alternate with linear networks.

Duration: 12' 00"

CHF: 18.00

"Lot's Wife"

Instrumentation: for solo violin and twelve strings (3.3.3.2.1)

From the scene in the Old Testament where Lots wife transgresses while fleeing Sodom, she looks back and ossifies. The violin concerto addresses the inner mental activity. The perception of the self can be a defensive, rigid death of feeling, or it can lead to a new life. Demanding for both soloist and ensemble.

Duration: 16' 00"

CHF: 24.60

A Christmas carol (first version).

Instrumentation: for choir and organ, for choir with flute, triangle and string quartet (string ensemble)

Texts: Maria Niederberger

Choir is one - two part, four strophes and in a traditional tonal style. German text by M. Niederberger.


Duration: 4' 00"

CHF: 28.20

Instrumentation: for piano, trumpet, horn, percussion and string orchestra

Duration: 23' 00"

CHF: 28.00

Instrumentation: for string quintet or string orchestra

'Hommage à L.v.B.' is a didactical work based on the final part of Beethoven's third symphony. It is aimed at conductors who wish to make technical progress and master most of the difficulties inherent in a performance of the classical work.

Duration: 7' 00"

CHF: 14.40

Instrumentation: for three improvising musicians (any instruments), string orchestra and harpsichord

The improvised part is composed for wind instruments, double-bass and drums, but can just as easily be realised using other instruments.

Duration: 31' 00"

CHF: 34.00

Instrumentation: for violin, guitar, double-bass and strings (4.4.2.2.0)

A major, a minor, an augmented and a diminished triad, giving all twelve tones of an octave, are woven together harmonically and melodically (serial). Predominantly modal rhythm, determinate sound room, differentiated dynamic. Three short expressionistic pieces. Difficult.

Duration: 11' 00"

CHF: 22.70

Music

Instrumentation: for violin, violoncello and orchestra

Double concert;
Score for orchestra: strings and two percussionists.
"The fire below and the sea above battle and defeat one another…" from the symbol GO out of the Chinese oracle book I Ging.


Duration: 30' 00"

CHF: 39.30

Instrumentation: for big band (5sx/4tpt.4tbn/pf/gtr/db/perc) and string orchestra

Duration: 30' 00"

CHF: 34.70

Instrumentation: for string orchestra

Duration: 5' 00"

CHF: 25.80

Instrumentation: for string instruments

Grave / Allegro moderato - Andante - Vivace.

Duration: 22' 00"

CHF: 61.80

Instrumentation: for string orchestra

The first 4 pieces are orchestrations of the 4 miniatures for piano. The fifth piece was intended for strings. Rather easy.

Duration: 12' 00"

CHF: 24.60

Instrumentation: for string orchestra

Duration: 6' 00"

CHF: 13.20

Instrumentation: for marimba and string orchestra

Duration: 7' 00"

CHF: 18.00

Instrumentation: for Strings

Uraufführung: 3.11.2019, Alte Kirche Boswil; Dirigent: Alexandre Clerc; Kammerorchester 65 (K65)

Duration: 7' 30"

CHF: 29.30

Instrumentation: for strings min: (6.6.4.4.2), piano and percussion

Duration: 9' 00"

CHF: 37.30

Instrumentation: (8.3.3.1)

Every instrumentalist is at the same time soloist, chamber musician and member of an orchestra. Three movements: passionate in the first, elegiac in the second, the third being more rhythmical with successive cadenzas for the fifteen soloists.

Duration: 20' 00"

CHF: 91.00

Instrumentation: for string orchestra or ten solo strings (4.2.2.2 or multiple score)

Duration: 18' 00"

CHF: 35.30

Instrumentation: for string orchestra

Over a theme from Wagner's "Rheingold".
Can be played without difficulty by an amateur string orchestra.

Duration: 12' 00"

CHF: 34.80

Instrumentation: for string orchestra

Beguiling musical fragments of the duet "Sancta mater istud agas" from Pergolesi's Stabat Mater emerge from the musical flow... intrumented anew, they are found at the original position in the score, while the passages between the duet are "filled" with new ciphers/gestures over the Stabat Mater motive. The tonal material is developed from and leads to this original quote. Short episodes by the solo violin and string quartet serve to remind of an over-the-top concerto manner, which was pointed out by contemporary critics in Pergolesi's Stabat Mater. The "newly composed" movement in its original length is framed by symbolic parts. At the beginning stands an "inclined plane" of Pergolesi fragments, which is penetrated "cross like" by a rising bourdon. The 2 x 7 "accents" of the coda represent the 14 Stations of the Cross.

Duration: 11' 00"

CHF: 25.30

Instrumentation: for thirteen solo strings (8.2.2.1) or string orchestra (16.4.4.2)

A journey inside us:"All of a sudden I was surrounded by a fire coloured cloud..." (R. Bucke).

Duration: 22' 00"-24' 00"

CHF: 31.20

Music

Instrumentation: for string orchestra

Based on a poem by Ernst Jandl.
From the late collision of extreme opposites there grows a sound room consisting of out-of-tune harmonic spectra, spectra whose penetrability and opacities evoke memories of pure sounds and hidden anticipation.

Duration: 14' 00"

CHF: 31.20

Instrumentation: for solo flute, solo oboe, solo violin and strings

Duration: 8' 00"

CHF: 22.80

Instrumentation: for two string orchestras and percussion

Stereophonic work for two amateur choirs and percussionists.

Duration: 17' 00"

CHF: 43.20

Instrumentation: for ten strings (5.2.2.1) and flute

Fifteen micro-chromatic variations over a diatonic melody. Independent playing techniques required. Needs lots of rehearsing but is technically quite simple.

Duration: 24' 00"

CHF: 38.00

Instrumentation: for clarinet (Ebcl, bcl, bthn-f, bcl, cbcl-b), percussion instruments (2-4) and strings (4.2.2.1)

Duration: 15' 00"

CHF: 28.00

Instrumentation: for strings (8.3.2.1)

Duration: 10' 30"

CHF: 28.00

Duration: 10' 00"

CHF: 16.70

Duration: 16' 25"

CHF: 29.30

Ballett

Instrumentation: for chamber orchestra

CHF: 26.70

Instrumentation: for twelve solo strings

Duration: 13' 00"

CHF: 38.40

Instrumentation: for horn quartet and string orchestra

Duration: 12' 00"

CHF: 22.20

Instrumentation: for two sopranos, choir and string orchestra

Duration: 20' 00"

CHF: 43.80

Einsätzige Kantate über Lukas 1, 26 - 55

Instrumentation: S,A,T,B, - Soli, Gemischter Chor (S,A,T,B), Streichorchester (Violine 1 + 2, Viola, Violoncello, Kontrabass, Orgel (mit Pedal!)

Duration: 18' 42"

CHF: 46.00

Instrumentation: for singing voice, strings (1.1.1.1.1), flute and percussion

Duration: 23' 00"

CHF: 32.70

Instrumentation: for string orchestra (8.8.4.4.2)

A free adaptation of the orchestral version.

Duration: 10' 00"

CHF: 22.00

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

CHF: 26.00

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

CHF: 17.30

Instrumentation: for female choir, string orchestra and organ

Duration: 10' 00"

CHF: 26.00

Instrumentation: for flute and string orchestra

Three different perspectives of a single picture bearing the same title by Picasso.
Préludes pour Antipolis - La danse des animaux - La danseuse nue.
String orchestra: 1.1.1.1.1 (all voices excluding the db are also divided).

Duration: 13' 00"

CHF: 33.00

Instrumentation: for flute or recorder (sopranino and alto recorder), violoncello and strings (4.4.2.2.1)

A preliminary instrumental study for the second movement of 'Helios'.

Duration: 12' 00"

CHF: 58.00

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

CHF: 22.70

Instrumentation: for eight - thirty two strings, eight - thirty two percussionists and eight - thirty two orators

Three concept pieces for a half-theatrical performance in purely verbal notation. Merry musical fairytale pieces created for children where each piece can also be performed singularly. Barely any technical difficulties but does require carefully controlled study of the tonal procedures. A stage director takes care of all the sensibly formed optical moments.

Duration: var.

CHF: 13.80

Musical fairytale

Instrumentation: for speaker and orchestra (2(pic)2.2.2/2.2.0.0/cel.3perc/str)

Texts: Vladislav Jaros

Also versions for:
speaker and string orchestra
speaker and wind quintet
speaker and piano
An amusing, modern and completely atypical fairytale in which, for once, the woman plays the active role and takes her destiny into her own hands. A diversified, colourful story with lively music.

Duration: 35' 00"

CHF: 37.30

In reference to the nocturne K 286 by Mozart

Instrumentation: for orchestra (4 string groups and 8 horns)

Duration: 5' 00"

CHF: 25.30

Instrumentation: for string orchestra (vn 1, 2, va, vc, db)

Easily accessible, atmospherically very dense character pieces (also suitable for an amateur string orchestra). Tonality, bitonality and quintal harmony.

Duration: 13' 00"

CHF: 18.00

Instrumentation: for alto solo and string orchestra

Duration: 18' 00"

CHF: 37.80

Duration: 4' 00"

CHF: 21.00

Instrumentation: for violoncello and string orchestra (5.4.2.2.1)

Commissioned by Festival Stings Lucerne with the soloist Patrick Demenga. It is the renewed attempt to convey the movement of nature in non-imitative musical outlines.

Duration: 11' 00"

CHF: 26.40

Instrumentation: for soprano, mixed choir and string orchestra

Texts: Angelus Silesius

A very good amateur choir with a professional orchestral accompaniment can perform this varified piece.

Duration: 17' 00"

CHF: 21.30

Instrumentation: for strings (1.1.1.1.2) and percussion

Four short contrasting pieces as a discourse on the archaic communication forms like the refrain forms, antiphonal singing or the repetition form.

Duration: 15' 00"

CHF: 36.70

Instrumentation: for soprano, baritone, horn, two trumpets, trombone, percussion and strings

Texts: Altgriechisch

Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the 'weirdest God' (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.


Duration: 12' 00"

CHF: 48.70

Instrumentation: for string orchestra

Duration: 12' 00"

CHF: 25.80

Instrumentation: for string orchestra

1. On the Way
2. Winter's Tale
3. Koleda

Duration: 16' 00"

CHF: 31.20

Instrumentation: for soprano and string orchestra

Setting of texts for children by Jürg Schubiger.
Suitable for an amateur orchestra.

Duration: 20' 00"

CHF: 46.80

3 Songs

Instrumentation: for mezzo-soprano and orchestra (1.1.1.0/gtr/str)

Texts: Vladislav Jaros

Instrumentation:
1. Dreams: fl, ob, mezzo, gtr, str
2. Recuerdos de la Alhambra: mezzo, gtr, str
3. Tears: fl, ob, kl, mezzo, gtr, str
The composer has written an English text and a melodie to the well-known pieces by Francisco Tàrrega and intrumented the pieces for chamber orchestra. In he orchestral version, the music of Francisco Tàrrega sounds in an unknown colour, intensity and musical quality that must be heard.

Duration: 10' 00"

CHF: 43.30

Instrumentation: for string orchestra, flute, clarinet, saxophone, trumpet and piano

"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.

Duration: 24' 00"

CHF: 109.00

concert

Instrumentation: for two solo violins and chamber orchestra (1.1.2.1/2.0.0.0/glock/str)

Duration: 10' 00"

CHF: 30.00

Instrumentation: for saxophone quartet, harp and string orchestra

Duration: 19' 00"

CHF: 57.60

Instrumentation: for string orchestra (6.6.4.4.2)

Four movements uncovering the structure and development of the music through constantly recurring combinations of intervals. With thematic, rhythmic and acoustic elements.

Duration: 17' 00"

CHF: 36.00

Transformations from W.A. Mozart's "Salzburger Sinfonie" KV 138

Instrumentation: for strings

Duration: 10' 00"

CHF: 15.60

Instrumentation: for alto saxophone, string orchestra, harp, vibraphone and marimbaphone

Duration: 21' 00"

CHF: 31.80

Instrumentation: for guitar and strings

Duration: 6' 00"

CHF: 21.00

Instrumentation: for cello solo, strings and percussion (two players)

Duration: 11' 00"

CHF: 26.70

Instrumentation: for string orchestra

Duration: 12' 00"

CHF: 18.60

Instrumentation: Streichorchester (Vl, Vla, Vc, Kbass)

2 Walzer der Volksmusikgruppe "d'Sagemattler" variiert und neu bearbeitet

Duration: 12' 00"

CHF: 19.80

Instrumentation: for organ, strings (min. 12.12.10.8.6) and four percussion instruments

The title here comes from Gottlieb Muffat's (1690-1770) 'Componimenti Musicale'. In this piece two rather contrasting movements are set against each other (chamber musical registration and 'Pleno' effects, combine agile percussion and string figuration with long held single notes with chords, strict structures with improvisatory elements, and various blends of organ and orchestral sound).
Work series A: Music for concerts.


Duration: 20' 00"

CHF: 41.30

Nine variations

Instrumentation: for trumpet solo, string orchestra and percussion

Duration: 18' 00"

CHF: 30.00

5 miniatures

Instrumentation: for string orchestra (4.4.3.3.1)

Duration: 20' 00"

CHF: 30.60

Instrumentation: for violin and string orchestra (6.6.4.4.1 or 2)

First movement is virtuosic and passionate, the second quiet and ruminant and the third dynamic. The particularly expressive cadenza is at the end of the second movement.

Duration: 19' 00"

CHF: 62.00

Instrumentation: for mezzo-soprano, guitar and strings (or just piano or guitar accompaniment))

Texts: Vladislav Jaros

A piece that puts new life into the traditional romantic song. Tonal, interesting harmonics. The song is availabe in three languages.

Duration: 4' 00"

CHF: 12.60

Duration: 2' 00"

CHF: 12.00

Instrumentation: for gayaeum and string orchestra

Duration: 14' 00"

CHF: 45.00

Instrumentation: for baritone, mezzo-soprano, 2 trumpets, accordion, guitar, e-bass, percussion and strings

Texts: Vladislav Jaros

A cheerful song with a catchy, typically Mexican rumba rhythm for a small orchestra.
A reminder of Mexico.

Duration: 3' 00"

CHF: 21.60

Instrumentation: for soprano, baritone, bass, choir (SATB), organ, flute, oboe, bassoon and strings

I Jünger
II Apostel
III Märtyrer

CHF: 104.00

Instrumentation: für Streichensemble (6 V; 3 Va; 2 Vc; Kb)

Duration: 9' 00"

CHF: 36.00

music for strings

Instrumentation: Streicher Kammerorchester Violinen, Violen, Violoncelli, Kontrabässe

Auftragskomposition des Zürcher Kammerorchesters für die USA Tour 2019

Duration: 12' 00"

CHF: 16.20

Instrumentation: for strings (4.4.4.3.1 or 3.3.3.2.1)

This work consists of three movements: 'D'alcuna stella adorno', 'Un'estranea dolcezza', 'E fra l'onde agitata' (quotations by Torquato Tasso). Every instrument has a separate part. The whole carries with it the spirit of the baroque concerto grosso. The work is of a medium to advanced level of difficulty but devoid of special effects.

Duration: 16' 00"

CHF: 34.80

Instrumentation: for baritone solo, congregation, flute, trumpet, percussion and strings

Duration: 29' 00"

CHF: 28.00

Instrumentation: for horn solo and string orchestra

This piece, written for the Lucerne Festival Strings, can be easily introduced into a 'normal' string orchestra programme. It does, however, require great solo skills from the horn player.

Duration: 6' 15"

CHF: 18.60

Socrates' speech in Plato's "Symposium"

Instrumentation: for 14 baritones and 14 strings

Duration: 16' 00"

CHF: 58.80

Instrumentation: for mezzo-soprano, piano, guitar and strings (or mezzo-soprano and piano / guitar or just guitars)

Texts: Vladislav Jaros

A song of the heart. Tonal. Czech text is written by the composer. There also exists a version with English text under the title 'Lullaby'.

Duration: 3' 00"

CHF: 13.80

Instrumentation: for oboe, string orchestra (6.6.5.4.3) and percussion

The oboist plays the oboe d'amore in the movements I, III, IV; oboe in the movements II, V and the English horn in movement IV.Work series A: Music for concerts.

Duration: 16' 00"

CHF: 32.70

Concert Nr. 2

Instrumentation: for Double Bass, Bandoneon, Piano and String Orchestra

CHF: 20.00

Instrumentation: für Mezzosopran, akustische Gitarre, Streicher (oder Mezz, Klav oder Mezz, Fl, Klav)

Texts: Vladislav Jaros

Duration: 4' 00"

CHF: 13.20

Instrumentation: für Violine (oder Klarinette oder Flöte), Gitarre und Streicher (oder: Violine (oder Klarinette oder Flöte), Gitarre)

Texts: Vladislav Jaros

Leicht erweiterte Tonalität, langsame liedhafte Melodie, reizvolle Harmonien.

Duration: 4' 00"

CHF: 13.20

'as an onlooker on the outskirts of a large celebration'

'As an onlooker on the outskirts of a large celebration' (therein adagio (4') for string orchestra, for the 80th birthday of Rudolf Baumgartner). Striking piece in four movements with extremely quiet and kinetically excited parts.
A version for string orchestra is also available.


Duration: 13' 00"

CHF: 19.20

Instrumentation: for flute and string orchestra

Duration: 17' 00"

CHF: 31.80

Instrumentation: for string ensemble (5.4.3.3.1)

This very short piece of medium difficulty was composed for the Camerata Zurich to celebrate their 50th anniversary. At the end of the piece the violin quotes the theme of Alban Bergs violin concerto.

Duration: 2' 00"

CHF: 13.80

Instrumentation: for choir (SAB), soloists (SATB), panpipes and/or alto flute and small orchestra (perc/str)

Duration: 4' 00"

CHF: 21.00

Instrumentation: for string orchestra

Duration: 15' 00"

CHF: 39.00

Risoluto - Andantino - Presto ma non tanto

Instrumentation: Streichorchester und 2 Hörner in Cst

Duration: 14' 00"

CHF: 21.60

von Franz Joseph Leonti Meyer von Schauensee 1720-1789

Instrumentation: für Tenor und Streichorchester

eine Marianische Antiphon

Duration: 7' 00"

CHF: 16.80

Instrumentation: 2 Ob./EH/Fg./2Hr./3Trp./gem. Chor/Streichorchester

Naturtonreihen (mit dem heute eher ungewohnten ‘Alphorn-Fa’ - gespielt mit Naturhörnern und Naturtrompeten), Alphornmelodik und Innerschweizer Betrufmotive bilden das
Basismaterial zu dieser Collage für Chor und Orchester. Getreue Wiedergaben (z.B. der vollständige Schrattenfluh-Betruf durch die 2. Trompete) kommen ebenso vor wie Improvisationen über bestimmte Tonvorräte. Beim Eingangschor handelt sich um die Vertonnung des Psalms 91,1 : Wer unter dem Schirm des Höchsten wohnt, wer im Schatten des Allmächtigen ruht, der darf sprechen zum Herrn: ‘Meine Zuflucht, meine Feste, mein Gott, auf den ich vertraue.’ Der längere rein instrumentale Mittelteil mündet in gewohnte Tonalität, und den Abschluss bildet der Bach'sche Choral BWV 13: „Was Gott tut, das ist wohlgetan“.

Duration: 10' 00"

CHF: 18.60