Instrumentation: for 3 violoncelli and double bass

Not performable.

Instrumentation: for flute and piano

Not performable.

Instrumentation: for flute, 2 string quartets and double bass

Not performable.

A fragment

Instrumentation: for flute, violoncello and two pianos

Not performable.

Instrumentation: for clarinet and six instrumentalists

Duration: 22' 00"

Instrumentation: for clarinet

Duration: unbestimmt
Manuscript

Instrumentation: for ensemble (pf[harpsichord], 4vn, va, wind, org/e-org)

Duration: 6' 30"
Manuscript

Instrumentation: for soprano, flute and organ

Not performable.

Instrumentation: for variable emsemble (min. 6 players)

Eight pieces

Instrumentation: for flute and piano

Manuscript

Instrumentation: for 2 violins, viola and violoncello

Not performable.

Six pieces

Instrumentation: for flute and harpsichord (piano)

Duration: 6' 00"-24' 00"
Manuscript

Eleven pieces

Instrumentation: for piano

Duration: 11' 00"-44' 00"
Manuscript

Instrumentation: for orchestra

Not performable.

Duration: 19' 00"-30' 00"

After an untitled painting by Arthur Schneiter.

Duration: 5' 00"
Manuscript

Based on the ink picture bearing the same name by Hans Jörg Wüger. Technically demanding, difficult interplay.

Duration: 12' 00"
Manuscript

Instrumentation: for ensemble (flute, oboe, clarinet, trombone, viola, violoncello, harpsichord, piano)

Instrumentation: for flute, violin, violoncello and trombone

Instrumentation: for flute / 2 flutes

Not performable.

Instrumentation: for piano and orchestra

This work has never been performed.

Duration: 25' 00"-30' 00"

Instrumentation: for a flautist with piano

Duration: 12' 00"
Manuscript

Instrumentation: for tape recorder and string quartet

Unperformable.

Manuscript

Instrumentation: for electronic tape, 4 flutes and string quintet

Not performable.

A very difficult virtuoso piece with vastly differing technical and musically creative problems.

Duration: 20' 00"-40' 00"
Manuscript

Instrumentation: for piano, percussion, assistant and instruments ad libitum

Manuscript

Instrumentation: for orchestra (pic.2.1.ca.2.2/0.2.2.1/perc/1 assistant/pf/str: 1-22.1-8.1-6.1-4)

Not performable.

Duration: 15' 00"-30' 00"

Instrumentation: for soprano soli, choir, 2 pianos, organ, harpsichord, 2 trombones, string quintet and percussion

Duration: 60' 00"
Manuscript

Instrumentation: for wind quintet

A predominantly polyphonic piece with frequent time and tempo changes. Intermediate level of difficulty.

Duration: 8' 00"
Manuscript

Instrumentation: for harpsichord (female voice and instrument of choice ad libitum)

Texts: Hans Jörg Wüger

Virtuoso instrumental music with various performance possibilities.

Duration: 9' 00"-14' 00"
Manuscript

Instrumentation: for organ (flute and/or violin ad libitum)

Manuscript

Instrumentation: for 1 (3) guitar(s) and Ferdi Uhlmann

Composed from '7.April=1977-anno78' by Ulrich Gasser.

Duration: 11' 00"
Manuscript

Instrumentation: for viola, piano, piano string plucker and assistant ad libitum

A collection of short but demanding pieces which can also be performed individually. Sensibility and manoeuvrability is expected from the pianist.

Duration: 16' 00"
Manuscript

Instrumentation: for viola solo

Very colourful, short but difficult pieces.

Duration: 6' 00"
Manuscript

Instrumentation: for piano solo

Quasi 'Variations' on fragments from the caprice No. 24 op. 1 by Paganini.

Duration: 6' 00"

Instrumentation: for eight-part choir, trumpet (or soprano saxophone) and clarinet

Texts: Bibel / Liturgie

Quietly flowing, circulating around few harmonies, this piece can be performed by an accomplished amateur choir.

Duration: 5' 00"
Manuscript

Instrumentation: for eight choir soloists and a two to eight-part a cappella choir

Texts: Hans Jörg Wüger

Duration: 10' 00"
Manuscript

Instrumentation: for orchestra (soloistic wind quintet - pic.1.afl.1.obdam.ca.Ebcl.bcl.1.cbn/3flhn.3.0.3.1/3perc/8.3.1.0)

Duration: 21' 00"
Manuscript

Instrumentation: for oboe/English horn, clarinet/bass clarinet, bassoon/contrabassoon and 14 solo strings

Duration: 20' 00"

Instrumentation: for English horn, bass clarinet and bassoon

Instrumentation: for oboe d'amore, Bass/Eb clarinet and bassoon/contrabassoon

A colourful piece with many time and tempo changes. Challenging interplay.

Duration: 15' 00"
Manuscript

Instrumentation: for organ, choir, liturgy, congregation and trombones

Duration: 60' 00"
Manuscript

Instrumentation: for organ

Printed in the Thurgau organ oagazine 1979, 21 choral preludes (Thurgauer Orgelheft 1979, 21 Choralvorspiele).
Self-published by the Thurgau Association of Organ Players.
Prelude-choral-postlude to 'Es ist ein Wort ergangen' from the Evangelical church songbook EKG Nr. 364 (Evangelisches Kirchengesangbuch EKG Nr. 364).

Instrumentation: for various formations

Und es erhub sich ein Windwürbel
To the 4th Sunday after Epiphany (Mark 4,35-41)
for a cappella choir
Duration: 2'30"

Nahe bey Jerusalem / Lass mich dein Esel sein
To the 1st Sunday of Advent after Matthew 21,1-9
for choir, flute, two violins, viola and violoncello
Duration: 5'45"

"Und es werden Zeichen geschehen"
To the second sunday of Advent (Luke 21,25-33)
for a cappella choir
Duration: 3'

(Das alte Jahr vergangen ist.) "Darumb seid jr auch bereit"
To New Year's Eve (Luke 12, 35-40)
for choir and organ
Duration: 2'30"

"Und siehe / Da thet sich der Himel auff"
To the first Sunday after Epiphany (Matthew 3,13-17)
for male choir, flute and trombone / female choir, flute and trombone / eight-part mixed choir, two flutes and two trombones
Duration: 4'

Hohezeit
To the second Sunday after Epiphany (John 2,1-11)
for choir, organ and electric bass guitar (electrobass, (amplified) double bass)
Duration: 4'15"

Capernaum: Ein Heubtman
To the 3rd Sunday after Epiphany (Matthew 8,5-13)
for children's choir, six-part mixed choir and organ
Duration 3'45"

Und die Mechtigen haben Gewalt.
To the 5th Sunday after Lent (Judika) (Mark 10,35-45)
for a cappella choir
Duration 2'30"

"Jch will nach dreien Tagen aufferstehen" / und versiegelten den Stein.
To Holy Saturday (Predigttexte für Matins and Vesper: Matthew 27, [57-61] 62-66)
for choir and small, light-toned bell (with four choir soloists)
Duration: 4'30"

"Aber seid getrost / in der Welt habt jr Angst"
To the 5th Sunday after Easter (Rogation Sunday) (John 16, 23b-28 [29-32] 33)
for male choir, female choir or mixed choir a cappella
Duration: 2'

"Darum seid barmhertzig"
To the 5th Sunday after Trinity (Luke 6,36-42)
for choir and organ ad libitum
Duration: 5'

"Und sihe / ich bin bey euch alle Tage / bis an der Welt Ende"
To the 6th Sunday after Trinity (Matthew 28, 26-20)
for six-part choir and two trombones
Duration: 2'

"Dir geschehe, wie du wilt"
To the 17th Sunday after Trinity (Matthew 15, 21-28)
for six-part a cappella choir
Duration: 4'

"Aber von Anfang der Creatur / hat Gott sie geschaffen ..."
To the 20th Sunday after Trinity (Mark 10,2-9 [10-16])
for a cappella choir
Duration: 2'15"

"Darum solt jr volkomen sein!"
To the 21st Sunday after Trinity (Matthew 5,38-48)
for a cappella choir [many instruments of varying timbre, with unisono/octave choir ad libitum]
Duration: 3'

Duration: variabel
Manuscript

Instrumentation: for alto flute and piano

Study of an oil painting bearing the same title by Andrea Nold. Use of multiple chord and micro intervals in the flute part and resonant sound in the piano. Easy to play.

Duration: 8' 00"
Manuscript

Instrumentation: for alto flute and harpsichord

After an oil painting of the same name by Andrea Nold.

Duration: 5' 00"-30' 00"
Manuscript

Instrumentation: for sixteen instruments (fl(afl).ca.3cl.bn/3hn.tbn/gtr.hp/3va.db)

Duration: 15' 00"
Manuscript

Instrumentation: for orator, one or two flutes, viola and organ

Texts: Dorothée Sölle

A collection of short poem 'settings' for all kinds of combinations within the stated scoring. Can be performed singularly. Predominantly easy.

Duration: 35' 00"-40' 00"
Manuscript

Instrumentation: for organ (m and f orator, flute and viola ad libitum)

Based on Dorothy Sölle. A very soft organ piece with an open possibility for the inclusion of ad libitum instruments. Intermediate level of difficulty.

Duration: 12' 00"
Manuscript

Instrumentation: for alto flute-G, harpsichord and violoncello

Duration: 10' 00"
Manuscript

Instrumentation: for flute and guitar

Atmospheric piece in quarter-tone tonality (special fingering and scordatura). The flute is a little more difficult, the guitar intermediate and the interplay demanding.

Duration: 8' 00"

Instrumentation: for guitar

Technically quite a simple piece with lots of colouration. Suitable for advanced students.

Duration: 4' 00"

Film music for mixed ensemble for a film of the same name by Dmitrij Kirsanov (1928).

Manuscript

Instrumentation: for soprano (tenor) and flute

Texts: Rainer Maria Rilke

A simple piece to perform. Based on the poem 'Archaischer Torso Apollos' (Archaic Torso of Apollo) by Rainer Maria Rilke.

Duration: 7' 00"
Manuscript

Instrumentation: for string quartet

String quartet based on the two pictures 'Sechs Akaziendornzweige' and 'Akaziendornzweige mit Schloss Chenonceaux' from Hans Jörg Wüger.

Duration: 15' 00"

Instrumentation: for piano, electronic organ, accordion and orchestra (pic.1.afl.1.obdam.ca.1.bcl.1.cbn/3.2.3.0/3perc)

Duration: 35' 00"

Instrumentation: for four-handed piano, clarinet, electric organ, flute/alto flute, violin and violoncello

Duration: 15' 00"
Manuscript

Instrumentation: for six- (twelve-) voice female choir

Texts: Bibel / Liturgie

A soft piece suitable for a good amateur choir.

Duration: 6' 00"
Manuscript

Instrumentation: for soprano, tenor, bass (electronic ad libitum)

Texts: Bibel / Liturgie

Very difficult piece (large vocal range, wide leaps, rhythmically challenging), little effort for the electronic (changing of vocal timbre) if at all.

Duration: 10' 00"

For a three (four) manual organ. Occasional play with one hand on two manuals.

Duration: 5' 00"
Manuscript

Instrumentation: for alto flute or flute solo

Wide-reaching melodic behaviour. Easy to intermediate level of difficulty, suitable for advanced students.

Duration: 5' 00"

Instrumentation: for alto recorder

A rather demanding variation on 'Weites Land'.

Duration: 6' 00"

Instrumentation: for alto recorder and transverse flute (two alto recorders)

Variation of 'Weites Land' / 'Seeland'. Intermediate level of difficulty.

Duration: 7' 00"
Manuscript

Instrumentation: for youth or amateur orchestra (3fl/str(without db) or fl.ob.cl/2vn.va.vc)

Traditionally notated piece without any experimental techniques. Easy to play.

Duration: 12' 00"

Instrumentation: for two treble recorders (alternatively two transverse flutes)

A collection of didactical pieces encompassing newer playing techniques.

Duration: 18' 00"

Instrumentation: for tenor recorder/movement and alto flute-G

Duration: 15' 30"
Manuscript

A huge, exceedingly demanding piano piece.

Duration: 2h 00"
Manuscript

3 poems by Bertolt Brecht

Instrumentation: for sixteen-part mixed a-capella choir

Texts: Bertolt Brecht

Very independent, almost instrumentally controlled vocals. Difficult but effective.

Duration: 25' 00"

Instrumentation: for violin, viola and violoncello (or flute (alto flute/pic)) scenery and prop man ad lib.

Inspired by Edgar Allen Poe's story, and by Jean Ebstein's film. Very demanding interplay.

Duration: 50' 00"
Manuscript

Instrumentation: for 2 accordions

World premiered within the setting of a sound installation during the 1983 'Tonkünstlerfest' in St. Gallen together with photographs by Martin Gasser and wooden sounding objects by Leo Brunschwiler; further accompanied by flutes, alphorn, electric guitar and playback.

Duration: 25' 00"
Manuscript

Instrumentation: for violin and strings

Duration: 15' 00"

Instrumentation: for saxophone quartet

Difficult piece with lots of overtone play.

Duration: 12' 00"

Instrumentation: study for saxophone quartet

For advanced students.

Duration: 6' 00"
Manuscript

Instrumentation: for choir, 3 alto recorders, 2 flutes, lotus flute, siren, various whistles, noise emitting instruments, guitar and organ

Not performable.

Instrumentation: for viola and piano

Based on Rainer Maria Rilke. Demanding.

Duration: 15' 00"
Manuscript

Twenty-four short pieces

Instrumentation: for flute - as an introduction to new music

A piece for tuition at lower intermediate level.

Duration: var.

Instrumentation: for guitar

A very colourful, good sounding but very difficult piece.

Duration: 16' 00"

Instrumentation: for string quartet

Scordatura, easy to perform.

Duration: 5' 00"

Four sketches for Heloisa

Instrumentation: for flute (or any other melodic instrument) and piano

Four short pieces, easy to perform.

Duration: 8' 00"
Manuscript

Instrumentation: for trombone, piano, viola, violoncello and one percussionist

A demanding piece with scenic actions.

Duration: 10' 00"

Instrumentation: for trombone solo

Duration: 8' 00"

Instrumentation: for piano

Easy to play and effective.

Duration: 12' 00"
Manuscript

Instrumentation: for piano, male dancer and female dancer

Instrumentation: for tenor/alto recorder, alto flute-G/flute, two violins and alto trombone

Duration: 3' 50"
Manuscript

Instrumentation: for piano (high voice or a melodic instrument ad libitum)

Duration: 4' 00"
Manuscript

13 Piano pieces

These 13 quite simple miniatures were created in connection with the scenic music 'Stein/Zeit Spiele' and can be performed singularly or as a cycle. The duration of each is between 1'10" and 4'30".
For Regula Stibi.

Duration: 35' 00"
Manuscript

Scenic music

Instrumentation: for 5 actors and a stage setting by Martin Gasser

Not available.

Duration: 60' 00"-75' 00"
Manuscript

Instrumentation: for vocal ensemble (8.7.7.8)

Duration: 8' 00"

Instrumentation: for vocal ensemble (8.7.7.8) and twelve instruments (piccolo, alto flute, English horn, bass clarinet, tenor saxophone, contra bassoon, horn, flugel horn, three trombones and percussion)

Duration: 15' 00"

Instrumentation: for organ

A very nice, soft piece. Easy.

Duration: 3' 00"
Manuscript

Film music to "L'Amour mécanique ou Harmonie-Tinguely" by Werner Düggelin

Instrumentation: for mixed ensemble

Manuscript

Instrumentation: for piano

A very effective virtuosic concert piece.

Duration: 7' 00"
Manuscript

Opera fragment

Not performable.

Instrumentation: for four, eight or eighteen flutes

Suitable for a good flute class.

Duration: 13' 00"
Manuscript

Instrumentation: for tenor recorder

A very effective, virtuoso piece with varying levels of technical difficulty (singing / playing, quarter tone, echo tone, disaltered chords and gestures).

Duration: 8' 00"

Instrumentation: for horn (one player with F/B horn, F-horn, natural horn in F, cow horn and muscle horn) and organ

A very difficult part for the horn, especially rhythmically, The interplay is appropriately demanding.

Duration: 15' 00"
Manuscript

Instrumentation: for piano

Duration: 3' 00"

Instrumentation: for 1-6 instruments

Duration: 7' 30"-14' 00"
Manuscript

Instrumentation: for piano trio

The text fragments are taken from 'Medusa' by Stefan Schutz. Technically not too difficult, but should be played from memory. Simultaneous playing and whispering. Highly effective.

Duration: 10' 00"
Manuscript

Instrumentation: for organ

Light instrumental piece suitable for liturgical use.

Duration: 3' 00"
Manuscript

Two lieder

Instrumentation: for deep voice and piano

Texts: Stefan Schütz

Easily performable songs with no particular difficulties.

Duration: 4' 00"
Manuscript

Instrumentation: for one speaker/singer (baritone), a speaking recorder player who also plays the saxophone and three speaking 'sound-stone' players

After Rudolf Borchardt.
For the seven 'sound-stones' from Arthur Schneiter.

Duration: 60' 00"
Manuscript

Instrumentation: for mezzo-soprano and baritone

Texts: H.D.Thoreau

Duration: 6' 00"
Manuscript

Instrumentation: for violin and piano

A sketch based on Ernst Barlachs four drafts for the 'Beethoven-Denkmal' (1926/27).

Duration: 12' 00"
Manuscript

Instrumentation: for orchestra

Duration: 30' 00"
Manuscript

Instrumentation: for flute and 3 sounding stones

Duration: 30' 00"
Manuscript

Oratorium

Instrumentation: for soli (SMzTBar),choir, instruments (bfl(pic,cbfl).bfl(stsubb).ca(heck).bcl(cbcl).sx(at).bn/hn.2tpt.flg.ahn.euph.2tbn.tba/1perc/acn/hp/gtr) and sounding stones.

Based on Edzard Schaper.

Duration: 90' 00"
Manuscript

Instrumentation: for contrabass flute and/or bass flute (or alto flute and bass flute)

I. For contrabass flute in C or bass flute in G (3')II. For bass and contrabass flute in C or alto and bass flute in G (3'30)III. For bass flute in C (3')

Duration: 9' 30"
Manuscript

Instrumentation: for horn, piano and double-bass

Peculiarities: Horn - simultaneous singing and playing, easier for a player with a high voice. Contrabass - simultaneous playing of normal tones and flageolets. Otherwise the piece is not too difficult.

Duration: 10' 00"
Manuscript

Instrumentation: for flute and 2 sounding stones

Duration: 5' 00"
Manuscript

Instrumentation: for liturgy, Soprano (ad libitum), chamber choir, accordion (or organ) and small percussion (ad libitum)

Texts: Bibel / Liturgie

Two short pieces to open and close the Liturgy. (5'/4')

Duration: 9' 00"
Manuscript

Instrumentation: for mixed a-cappella choir

Texts: Rainer Maria Rilke

For amateur choir, quasi tonal.

Duration: 4' 00"
Manuscript

Instrumentation: for bass flute (flute) and piano

Duration: 10' 00"-12' 00"
Manuscript

Instrumentation: for tenor recorder, bass flute and bass clarinet

This piece is constructed out of three solo parts: Icarus' song over the water for tenor recorder, Orpheus' song about the failed escape for bass flute and Prometheus' song to the rocks for bass clarinet. All three parts are played simultaneously.

Duration: 4' 00"
Manuscript

Instrumentation: for tenor recorder or alto recorder

Duration: 3' 00"
Manuscript

Instrumentation: for bass flute (flute)

Simultaneous singing and playing. Suitable for tuition at intermediate level.

Duration: 3' 00"

Instrumentation: for bass clarinet in B

Duration: 3' 00"
Manuscript

Instrumentation: for bass recorder, bass flute (in G) and bass clarinet (in B)

Duration: 6' 00"-7' 00"
Manuscript

Instrumentation: for lithophone and a percussionist

Duration: 4' 00"
Manuscript

Instrumentation: for soprano, organ and sounding stone

Texts: Octavio Paz

Manuscript

Instrumentation: for flute and piano

The first figure of Ernst Barlach's outline of a Beethoven memorial (1926/1927).
A light piece with snatchy quarter notes in the flute. Suitable for tuition.


Duration: 2' 30"
Manuscript

Instrumentation: for accordion, strings (9.3.3.1) and percussion

Based on nine wood carved figures by Ernst Barlach, (1900-1985).

Duration: 20' 00"
Manuscript

Instrumentation: for accordion

Duration: 15' 00"
Manuscript

Instrumentation: for tenor recorder and guitar

Duration: 10' 00"

Instrumentation: for bass flute (flute) and harp

Duration: 10' 00"
Manuscript

Instrumentation: for english horn (oboe)

Duration: 4' 30"
Manuscript

A palaver

Instrumentation: for mixed (youth) choir, saxophone and accordion or for mixed choir or for speaking choir and accordion (piano) or for speaking and singing choir and accordion (piano)

Duration: 4' 00"
Manuscript

Instrumentation: for piano

A serene piece, easy to play.
Suitable for tuition.

Duration: 10' 00"
Manuscript

Instrumentation: for violoncello and piano

For my daughter, Deta's tenth birthday.

Duration: 10' 00"
Manuscript

A composed/improvised multi-media Passion with Urs Graf (painting), Toni Calzaferri (sculpture) and the musicians Jürg Lanfranconi, Dominique Hunziker and Heinz Höppli.
Not available.

Duration: 60' 00"
Manuscript

Instrumentation: for two guitars

A study about the petroglyphs of Val Camonica and the photobooks by Herbert Fritsch -or about remembering and forgetting.

Duration: 45' 00"

Twelve miniatures

Instrumentation: for recorders and alto (transverse) flute

For 'Storyboard' by Marosch Schröder (Altered photos from magazines in wax, acrylics and ink are mounted on the back of TV-series scripts, 1992).

Duration: 20' 00"
Manuscript

Instrumentation: for flute solo

A present for Catharina Brugger from Gabriele Heidecker and Marosch Schröder.
Easy to play.

Duration: 4' 00"
Manuscript

Instrumentation: for chamber orchestra, accordion or organ and small percussion ad libitum

Texts: Bibel / Liturgie

A through-composed reading from John 19, 25-27. Relatively easy.

Duration: 4' 00"
Manuscript

Instrumentation: for liturgy, soprano, accordion and small percussion

Music for an evening meal.

Duration: 10' 00"
Manuscript

Instrumentation: for soprano, accordion and percussion

A music which can be performed concertante or during the distribution of the Holy Communion.

Duration: 10' 00"
Manuscript

Instrumentation: for (mezzo) soprano, bass flute and sounding stones or a small percussion

Texts: Bibel / Liturgie

Text: Wisdom and Wealth; The Book of Proverbs 8, 22-31.

Duration: 7' 00"-8' 00"
Manuscript

Instrumentation: for six male and six female voices, eight flutes and six Arthur Schneiter sounding stones

Texts: Matthias Claudius, Johann Wolfgang von Goethe, Andreas Gryphius, Herder, Christian Hofmann von Hofmannswaldau, Friedrich Hölderl

A scenic oratorium in six parts from Claudius, Goethe, Gryphius, Herder, Hofmann von Hofmannswaldau, Hölderlin, Keller, Rilke and from the book of wisdom.

Duration: 60' 00"
Manuscript

Instrumentation: for organ

For a mean tempered, double manual organ with attached pedal.

Duration: 8' 00"-10' 00"
Manuscript

Instrumentation: for chamber orchestra (1.(pic).1(ca).1(inA/Eb).1/1.1(inB/F).1.1/1perc/6.5.4.3.2)

A kind of concert for woodwind, brass and strings, based on material from the compositions of Bärtschi, Max E. Keller, Martin Sigrist and Peter Wettstein. Traditional notation.

Duration: 15' 00"
Manuscript

Instrumentation: for soprano and organ

Texts: Gaspara Stampa

A sonnet by Gaspara Stampa (1523-1554) for a medium tempered double-manual organ with attatched pedal.
For Mechthild Seitz.

Duration: 6' 00"
Manuscript

Instrumentation: for wind octet (ob.ca.cl-a.bcl/2hn.2bn) with double-bass

A ballet without a libretto.
Six alienated dance movements: Sarabanz, Gigupf, Tredocima, Walzap-Tanotsch, Dutrebal, Kwintsch of Sarabine.

Duration: 18' 00"
Manuscript

Instrumentation: for alto flute and (invisible) bass flute

A flute piece based on the etchings bearing the same name by Daniel Hees, with articulation, difficult. The bass flute can be performed live (invisible) or as play-back. For Camilla Hoitenga.

Duration: 10' 00"
Manuscript

Instrumentation: for bass flute solo

A miniature based on the six etchings 'Der duftende Garten' (the fragrant garden) by Daniel Hees. An intermediate piece with micro-intervals, and sung/played notes. Male voices are preferred.

Duration: 6' 00"
Manuscript

Instrumentation: for flute and bass flute

An extended version of 'Der duftende Garten' (the fragrant garden) by Daniel Hees. A piece with micro-intervals and sung/played tones. Female and male voices are preferred in this piece. Intermediate level of difficulty.

Duration: 6' 00"
Manuscript

Instrumentation: for choir (a-cappella or with instrumental accompaniment)

Duration: 1' 30"
Manuscript

Instrumentation: for mezzo-soprano (soloistic or chorally) and alto flute in G

Duration: 1' 30"
Manuscript

Instrumentation: for mezzo-soprano (with ratchets, triangle and lotus flutes) and alto flute in G

Duration: 5' 00"
Manuscript

Instrumentation: for liturgists, m&f speakers, baritone, bass, chamber choir, children's choir, flute, bassoon, accordion and six brass instruments (2flhn[=2tpt].2bflhn.2tbn)

A church service concieved by Eva Tobler, Werner Hahne and Ulrich Gasser.

Duration: 70' 00"
Manuscript

Instrumentation: for flute, bassoon and six brass instruments (2flhn.2bflhn.2tbn)

Music to the opening of a church service.

Duration: 5' 00"
Manuscript

Instrumentation: for six brass instruments (2flhn.2bflhn.2tbn)

Music which can be used to accompany the congregation on a change of location, for example when walking from the community hall to the church.

Duration: Von fast beliebiger Dauer
Manuscript

Instrumentation: for church choir, six brass instruments (2flhn.2bflhn.2tbn) and congregation

The musicalisation of a Psalm alternating between church choir and congregation. Particularly suitable for the opening of a church service.

Duration: 4' 00"
Manuscript

Instrumentation: for liturgists, baritone, bass, alto flute in G, bassoon, accordion and six brass instruments (2flhn[=2tpt].2bflhn.2tbn)

The dialogue between Jesus and Nikodemus as a small musical scene in place of the reading within a church service. Can also be performed as an independent (concert) piece.

Duration: 13' 00"
Manuscript

Instrumentation: for liturgists, five m&f speakers, alto flute in G, bassoon, accordion and six brass instruments (2flhn[=2tpt).2bflhn.2tbn)

A musical sermon by Eva Tobler, unique in this form within a church service.

Duration: 15' 00"
Manuscript

Instrumentation: for baritone, bass, chamber choir, church choir, accordion and four brass instruments (2flhn[=2tpt].2bflhn

The apostolical creed in the form of a question, posed by the soloists and answered by the choir.

Duration: 7' 00"
Manuscript

Instrumentation: for congregation, baritone, bass (ad lib. or chorally) and six brass instruments (2fln[=2tpt].2bflhn.2tbn)

The familiar choral with a further four strophes sung by the congregation supported by the brass, the soloists and/or the church choir with an internatio and an interludium in addition. This piece is intended as the third answer of the "Glaubst Du?", it can however be performed independently.

Duration: 5' 00"
Manuscript

Instrumentation: for picolo, bassoon, flugelhorn, bass flugelhorn and trombone

Three short pieces (2',1',30")

Duration: 3' 30"
Manuscript

Instrumentation: for liturgist, baritone, bass, alto flute-G, bassoon, accordion and four brass instrumentalists (flugelhorn, bass flugelhorn and 2 trombones)

Duration: 12' 00"
Manuscript

Instrumentation: for soprano (solo or choral), soprano recorder (or another instrument or a second soprano voice) and organ

Texts: Bibel / Liturgie

A simple piece based on verse selected from the classical baptismal psalm. Suitable as an introduction to the baptismal liturgy.

Duration: 3' 00"
Manuscript

Instrumentation: for flute and alto flute in G

Duration: 3' 00"
Manuscript

Instrumentation: for alto flute in G, harpsichord and violoncello

To a short text by Christian Uetz.

Duration: 9' 00"
Manuscript

Instrumentation: for speaker, seven soli, chamber choir, large choir and eleven instruments (ssx.pic.cbn.ca.acn.bthn.flhn.thn.bflhn.cbtba.hp)

Duration: 80' 00"
Manuscript

Ein musikalisches Patchwork oder die Kunst des Fügens

Instrumentation: for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)

A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.

Duration: 50' 00"

CHF: 100.40

An oratorium for a cathedral with the theme ‘Christ, middle of time’

Instrumentation: for choralschola, mixed choir, large organ and chancel organ, soloists (SATB), accordion, trumpet, two trombones and strings

Texts from John 17, Isaiah 53, Galatians 4, Philippians 2, Colossians 1, Credo, Psalms 45, Stabat Mater.
Arranged, translated and revised by Eva Tobler.


Duration: 65' 00"
Manuscript

Instrumentation: for string trio

Live music for the silent film bearing the same title by Jakob Tuggener. Can also be performed by a string trio without film.

Duration: 6' 00"
Manuscript

Improvisation on Arthur Schneiters sound stones 'Klanggitter' and composed elements

Instrumentation: for string trio

Live music for the silent film bearing the same title by Jakob Tuggener. Can only be performed with the film showing.

Duration: 8' 00"
Manuscript

Instrumentation: for sub bass recorder (with six japanese sound bowls and prepared dulcimer)

For Jürg Lanfranconi.

Duration: 9' 00"
Manuscript

Instrumentation: for mezzo-soprano, bass flute and organ

Texts: Sören Kierkegaard

Text: Sören Kierkegaard.

Duration: 12' 00"
Manuscript

Musical theatre

Instrumentation: for three female and two male voices, choir and four instrumentalists

Texts: Eva Tobler, Ulrich Gasser

A feature-length musical theatre for three female and two male voices, a girl choir and four instrumentalists around a sound house and further sounding stones by Arthur Schneiter. A new version of the Antigone story by Eva Tobler and Ulrich Gasser based on Søren Kierkegaard's conception of a new Antigone: (in: "Either Or - The tragic of ancient drama reflected in modern drama").
Text: Eva Tobler. Music: Ulrich Gasser. Sound house, Sound grid, Sound stones: Arthur Schneiter. Critical supervision: Wolfram Frank.
"Dedicated to Arthur Schneiter, my friend and master of the stones."
First performed: 11.09.02 in Zurich.


Duration: abendfüllend
Manuscript

Instrumentation: for baritone and organ (with two stop pullers)

Texts: Eva Tobler

Text: Eva Tobler. For Bernhard Bichler and Claus G. Biegert.

Duration: 60' 00"
Manuscript

Instrumentation: for speaker and 3 instruments

Texts: Eva Tobler

Duration: 20' 00"
Manuscript

Graphical score

Instrumentation: for any ensemble

Duration: beliebig
Manuscript

Instrumentation: for ensemble (piano, assistant, harpsichord, harp, guitar, flute, violin, trumpet in b, violoncello and alto saxophone in Eb)

Commissioned by the canton school Burggraben in St Gallen. Premiered on 9 March, 2005 in the Tonhalle in St Gallen by an ensmble from the school under the direction of Hans Peter Völkle.

Duration: 16' 00"
Manuscript

Instrumentation: for recorder, harpsichord and viola da gamba

A work commissioned by the Ensemble Aspecte (Matthias Weilenmann, Martin Derungs, Brian Franklin). Premiered 11/13 June 2005 in Zurich/Basel.

Duration: 11' 00"
Manuscript

Instrumentation: for flute and piano

A variation of 'Zeit/Züge I for ensemble'.

Duration: 5' 30"
Manuscript

Instrumentation: for flute

A variation of 'Zeit/Züge I for ensemble' and 'Zeit/Züge III for flute and piano'.

Duration: 5' 00"
Manuscript

For Christine Gallandat

Instrumentation: for flute, oboe d'amore, violoncello and harpsichord

A leaving present for Christine Gallandat in the form of a joint composition by the ex presidents of the Swiss Association of Musicians: Julien-François Zbinden, Hans Ulrich Lehmann, Martin Derungs, Daniel Fueter, Roman Brotbeck and Ulrich Gasser.
World Premiere: 5. September 2004 at the SAM's general assembly in Monthey.

Duration: 1' 00"
Manuscript

Instrumentation: for flute and bass flute

A little wedding music for Nina Gasser and Martin Schmitter. First performed by Eva Tobler and Ulrich Gasser on October 23, 2004 in the Evangelical Church in Weinfelden.

Duration: 3' 00"
Manuscript

Instrumentation: for viola and piano

Commissioned by the 'concours de Genève'.

Duration: 7' 30"
Manuscript

Instrumentation: for soli(SA(Mez)TB), (mixed) choir(S/T/B also divided) and orchestra (3fl(pic,afl,bfl).bsthn.bcl.sx(ST).2bn(cbn)/3.2.3.cbtba/2perc/vn1,2.va.vc.dbsolo/3vn I.3vn II.3va.3vc.2db)

Texts from Seneca and Job, Requiem and Via crucis; editing: Eva Tobler and Ulrich Gasser.
Commissioned piece for the South West German Philharmonic Constance. The work can be performed independently from or before the Requiem by Mozart.

Duration: 40' 00"
Manuscript

Instrumentation: for baritone, flutes and sounding stones

Over a text by Eva Tobler.
Composed for Bernhard Bichler, Barbara Schlatter-Wiederkehr and Arthur Schneiter.
This work is a second version of the 'Visio Stephani – oder wie der heilige Stephanus zu Tode kam' for baritone and organ (1999/2000).

Duration: 40' 00"
Manuscript

Six stations

Instrumentation: for soprano, flute (alto flute), oboe (oboe d'amore, English horn), viola and organ

A cycle of six independent pieces on the theme of passion - can be performed singularly or integrally.

Duration: 35' 00"
Manuscript

Station I: "Ich will den Kopf des Täufers"

Instrumentation: for organ and English horn

Duration: 6' 00"
Manuscript

Station II: "Sie verstanden seine Worte nicht"

Instrumentation: for organ and viola

Duration: 6' 00"
Manuscript

Station III: "Sie hat meinen Leib gesalbt"

Instrumentation: for organ and alto flute

Duration: 6' 00"
Manuscript

Station IV: "Steht auf, der Verräter ist da"

Instrumentation: for organ

Duration: 6' 00"
Manuscript

Good Friday: "Frau, siehe, dein Sohn!"

Instrumentation: for soprano, oboe d'amore and organ

Duration: 6' 00"
Manuscript

Easter: "Selig sind, die nicht sehen und doch glauben"

Instrumentation: for flute, oboe, viola and organ

Duration: 5' 00"
Manuscript

Instrumentation: for soprano (high voice) and piano

Duration: 6' 00"
Manuscript

Instrumentation: for mezzo-soprano, 2 basses, playback and electronics

Texts: Maximus Confessor

Duration: 18' 30"
Manuscript

Scardanelli lieder

Instrumentation: for soprano and piano

Texts: Scardanelli, Torsten Preisser

Duration: 56' 00"
Manuscript

Nine sounding sculptures

Based on fragments from "Klaviermusik II ("narratiritazium")" (1981-83).
Inspired by nine wooden figures from the "Fries der Lauschenden" by Ernst Barlach (1930-35).
Composed for the piano duo Adrienne Soós und Ivo Haag.
I. "Die Tänzerin (Schlafende)" 6'50" (6'50")
II. "Der Wanderer (Staunende)" 7'45" (14'35")
III. "Die Tändelnde (Erwartende)" 5'10" (19'45")
IV. "Der Blinde (Zaudernde)" 12' (31'45")
V. "Der Flüchtling (Polterer)" 8'30" (40'15")
VI. "Der Begnadete (Verfolgte) 3'20" (43'45")
VII. "Die Pilgerin (Betende) 6'40" (50'25")
VIII. "Der Gehetzte (Jubelnde) 4'15" (54'40")
IX. "Die Träumende (Erinnernde)" 4' (58'40")

Duration: 60' 00"
Manuscript

Instrumentation: for deep voice

Texts: Theodor Fontane

Duration: 5' 15"
Manuscript

Instrumentation: for oboe, accordion, viola and violoncello

For the 30th anniversary of the Ensemblia Mönchengladbach (2009).

Duration: 4' 00"
Manuscript

Instrumentation: for oboe d'amore and English horn

Duration: 4' 00"
Manuscript

Instrumentation: for violin solo

Duration: 4' 00"
Manuscript

Instrumentation: for 2 pianos, 14 wind intrumentalists (fl/picc, ob/ca, A/Ebcl/bcl, bn/cbn, 2hn, 2tbn, tba) and percussion (I&II)

Duration: 50' 00"
Manuscript

Instrumentation: for alto flute and bass flute

A kind of intonation of the hymn bearing the same name (Catholic Songbook 351) with a melody by Matin Luther (1539) and text by Christian Friedrich Sachse (1817).

Duration: 5' 00"
Manuscript

Scardanelli-Songs II

Instrumentation: for (mezzo) soprano, (bass) baritone and piano

Texts: Scardanelli, Torsten Preisser

Can be played as a closed cycle or individually.

Duration: 68' 00"
Manuscript

Instrumentation: for alto solo, chamber choir, piccolo, viola and harp

Text fragments by Cornelius Becker, Johann Wolfgang von Goethe, Nelly Sachs, Hilde Domin and the prophet Amos.
Compiled and edited by Eva Tobler and Ulrich Gasser.
Commissioned by Cantus Konstanz under Claus G. Biegert,
premiered on Februar 24, 2013 in the Lutherkirche Constance.

Duration: 25' 30"
Manuscript

Music for a room with theatrical interlude

Instrumentation: for small female ensemble, big choir, (chamber choir, speaking choir, female and male choir), 5 speakers/actors and 9 wind instruments (fl/pic, ob/ca, cl/bcl, bn/cbn, tpt, thn, hn, tbn, tba)

Text: the "Prophecies of Sybil" loosely adapted by Eva Tobler and Ulrich Gasser. A concert composition including Orlando di Lasso: three movements from the "Prophetiae Sibyllarum" (Sibylla Hellespontiaca, Sibylla Phrygia, Sibylla Agrippa), Johann Sebastian Bach: three chorals (Was betrübst du dich, Herzlich thut mich verlangen, Auf meinen lieben Gott).
Commissioned by the grammar school Neufeld Bern for the school's choirs under the batons of Bernhard Kunz, Christoph Marti and Bruno Späti.


Duration: 65' 00"
Manuscript

Instrumentation: for soprano, horn and piano

Based on Johann Peter Hebel's calendar stories "Unverhofftes Wiedersehen" (1811), supplemented with fragments by Joseph Eichendorff, August Graf von Platen and Adalbert von Chamisso.
Text editing by Eva Tobler.
A work commissioned by the Musikwoche Braunwald Festival on the topic of "the new in the old, the old in the new" for the Trio Romantico (Rebecca Maeder, soprano; Christian Holenstein, horn; Josiane Marfurt, piano), premiered on July 4, 2013 in Braunwald.

Duration: 25' 00"
Manuscript

Instrumentation: for a cappella chamber choir

Texts: Eva Tobler

Commissioned by the 'Festivals Europäische Kirchenmusik Schwäbisch-Gmünd' for the chamber choir CoroPiccolo Karlsruhe under the baton of Christian-Markus Raiser. World premiered on June 12, 2013 in Schwäbisch Gmünd.

Duration: 12' 00"
Manuscript

Instrumentation: for speaker, 2 sopranos, tenor, bass and mixed choir, wind instruments (fl, 2ob, 2bn, 2hn, 2tpt, 3tbn), timpani, strings and organ

Texts: Eva Tobler, Friedrich Nietzsche

for speaker, 2 sopranos, tenor, bass and mixed choir, wind instruments (fl, 2ob, 2bn, 2hn, 2tpt, 3tbn), timpani, strings and organ
A contemporary addition to the incomplete Mass in C minor by Wolfgang Amadeus Mozart with nine texts relating to the credo by Eva Tobler and quotes from Friedrich Nietzsche's "Der tolle Mensch" and "Dem unbekannten Gott".
Commissioned by the 'Vereins Berner Abendmusiken' and the 'Berner Musikfestival'. World premiered on September 10, 2013 in Bern Minster by Rebecca Maeder, Ingrid Alexandre, Tino Brütsch, Samuel Zünd, Peter Schweiger, Berner Kantorei, Zürcher Barockorchester; conductor: Johannes Günther.

Duration: 24' 00"
Manuscript

A through-composed meditation on the Passion

Instrumentation: for speaker, flutes and organ

Text by Eva Tobler with quotes from Christine Busta, Paul Celan, Peter Handke and the Bible.
Music from Johann Sebastian Bach, Joseph Bodin de Boismortier, Kazuo Fukushima and Rolf Zürrer, in addition to the five new pieces Attaque, Passion-Paradis, Creux, Stèle funéraire und Cantique.

Duration: 55' 00"
Manuscript

Instrumentation: for flute and organ

With Joseph Bodin de Boismortier, Prélude from the 3rd Suite in G minor for flute solo.

Duration: 3' 30"
Manuscript

Instrumentation: for bass flute and organ

Duration: 4' 20"
Manuscript

Instrumentation: for alto flute and organ

Duration: 1' 20"
Manuscript

Instrumentation: for flute and organ

Duration: 1' 20"
Manuscript

Instrumentation: for alto flute an organ

Over the choral "So nimm denn meine Hände", KGB 695.

Duration: 4' 30"
Manuscript