Trumpet

Peter Schärli
Ballade pour une pierre (1985)
for voice, trumpet (with mute), piano (or guitar) and double-bass
Texts: Sandy Patton
Duration: 6' 30"
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CHF: 13.00
Dieter Ammann
Developments (1993)
for two trumpets, horn, trombone and tuba
Duration: 9' 30"
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CHF: 21.00
Valentin Marti
Euphotic Circles (1996)
for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).

Duration: 12' 00"
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CHF: 49.00
Andreas Brenner
Sinus D (2010)
for brass quintet (horn, 2 trumpets, trombone, tuba)
On the formal level, Sinus D generates an arch (lat. sinus) - like a D placed on its back: the elements of a phrase - chords and their resulting melodic motifs - glide into each other successively to create a core of maximum density and a finish, which, with regard to this density, returns to the begining.
Duration: 9' 00"
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CHF: 23.00
(Parts: sFr. 31.-; € 24.-)
Urban Mäder
Stationen eines Gehenden (1989)
for trumpet solo
For solo trumpet walking towards a goal ("target-objects" which the composer puts at his disposal) from which he then distances himself.
Duration: 20' 00"
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CHF: 23.00
Cécile Marti
trennend verschmelzen (2007)
for soprano and trumpet
The core of this piece is created by the convergence of two sounds with very different tonal characters. It is an attempt at bringing together two differing tonal qualities (one soft and elastic, the other sharp and determined), to recoulour them and transform them.
Is it possible to create a moment where a new mutual sounding body is formed, where a combination colour becomes a new primary colour? How can this threshold be approached: via the fusion of harmony, by increasing the disharmony, through the alternation of tone and tempo dispoitions?
The more the voice becomes a sound dispenser, the more instrumental it becomes. As there is no room here for language as a carrier of meaning, the phonetical formation of syllables allows the vocal sound to become purely tonal.
Duration: 7' 30"
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CHF: 18.00
Andreas Brenner
Alas (2010)
for trumpet solo
This short solo piece for trumpet is based on a kind of variation form. The idiosyncratic melodic structure is created when the two voices of a canon are projected into the unisonous; the rules, by which this canon abides, change from variation to variation.

Duration: 4' 30"
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CHF: 16.00
Peter Schärli
Krieg I-IV (1998)
for brass quintet (1.2.1.1), voice and timpani
Duration: 10' 00"
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CHF: 16.00
Felix Schüeli
Septett (2001)
for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double-bass
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).
Duration: 7' 00"
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CHF: 26.00
(Parts: sFr. 18.-; € 12.00)
Andreas Brenner
Prismen (2011)
for wind quintet (horn, 2 trumpets, trombone, tuba) and organ
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.
Duration: 12' 00"
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CHF: 29.00
(Parts: sFr. 18.-; € 14.-)
Peter Schärli
Requiem für die Unschuld (1998)
for brass quintet, voice, timpani or for trumpet, french horn or saxophone, trombone, piano, double-bass and percussion
Duration: 9' 00"
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CHF: 13.00
Urban Mäder
Annäherung an Dorfmusik (1991)
for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
Adaptation of folk musical elements.
Duration: 13' 00"
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CHF: 31.00
Michel Hostettler
Pièce concertante (1978)
for trumpet and orchestra (2,1,2,1 - 2,1,0,0 - perc, pno - str)
Duration: 6' 00"
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CHF: 44.00
Hansruedi Willisegger
Suite über "Wenn alle Brünnlein fliessen" (1960)
for piano, trumpet, horn, percussion and string orchestra
Duration: 23' 00"
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CHF: 39.00
Andreas Stahl
brudermord (1992)
for piccolo trumpet, Eb-trumpet, horn and three percussion
Short, fierce (also complex) cry out against equality in its handling of various aspects such as mankind, musical instruments, parameters, etc.
Duration: 7' 20"
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CHF: 29.00
Peter Schärli
Traummusik II (2002)
for two trumpets and organ
Duration: 4' 00"
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CHF: 13.00
Ursula Gut
ricercare (2006)
for two trumpets and two trombones
Duration: 12' 30"
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CHF: 29.00
Pierre Thoma
M.-M. (1987)
for trumpet and piano
A reference to the first names of two famous trumpet players: Maurice and Miles. Mixing of genres (baroque, contemporary, jazz). The audience, other musicians, his instrument, his inside/outside: how does the performer define himself with regard to all of these circumstances? To what extent does his personality influence our perception of the music?
Duration: 5' 30"
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CHF: 18.00
Laurent Mettraux
Sonata, M. 470 (1993)
for trumpet and organ
Exploits the expressive possibilities of the trumpet. The organ part is without difficulties.
Duration: 6' 00"
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CHF: 23.00
(Seperate parts: sFr. 10.-; € 10.-)
Elvira Garifzyanova
Lichtflecken (Patches of Light) (2007)
for piccolo trumpet, trumpet in C (1 player) and accordion (or organ)
Duration: 15' 00"
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CHF: 44.00
Raymond Vauterin
Intrada (1996)
for brass (2.3.3.2.btba) and 2 timpani
Duration: 6' 00"
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CHF: 42.00
De-Qing Wen
Piping and Drumming (2000)
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
Duration: 12' 00"
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CHF: 62.00
(Parts SME/EMS: sFr. 62.-; € 20.-)
Claude Ferrier
König Salomo (1996/99)
for brass quintet (0.2.3.0) and four-voice mixed choir
Texts: Bibel / Liturgie
Text taken from the Song of Songs.
A version for mixed eight-voice choir is available from the composer.
Duration: 10' 00"
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CHF: 34.00
Martin Metzger
Du Doppelgänger (2001)
for trumpet, alto saxophone, organ, glockenspiel, vibraphone, marimba and tubular bells (one player)
Duration: 8' 00"
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CHF: 34.00
Stefan Feingold
Tantal (1997-1999)
''Planet Music"
for brass quintet (1.2.1.1) and piano
This work is in three movements, parts of which are in aleatoric notation.
Duration: 40' 00"
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CHF: 57.00
Alex Rüedi
Blechtett (2009)
for 2 trumpets, horn, trombone and tuba
Duration: 15' 00"
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CHF: 47.00
(Parts SME: sFr. 46.-; € 46.-)
Maria A. Niederberger
Images (1997)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.
Piano and trumpet accentuated.
Duration: 20' 00"
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CHF: 57.00
Kit Powell
Salmagundi, op. 92 (1998)
for brass ensemble (4 trumpets, 2 horns, tuba and 4 trombones)
An entertaining piece from German and English folk songs.
Duration: 10' 00"
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CHF: 60.00
Werner Bärtschi
Rotondo (1999-1999)
for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)
A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.
Duration: 50' 00"
Manuscript
CHF: 122.00
Hans-Jürg Meier
die ganze übrige spanne ist nicht leben, sondern zeit (2001-2002)
for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano,
Texts: Johann Peter Hebel, Hans-Jürg Meier
Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed partly rhythmically open.
Duration: 17' 00"
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CHF: 49.00
Hans Eugen Frischknecht
Komposition für 2 Trompeten und Orgel (1984)
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
Duration: 10' 00"
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CHF: 26.00
Michael Schneider
Fanfare for Sandringham (1991-2010)
for trumpet and trombone
"Bright and noble" - a festive fanfare in D flat major.
Duration: 2' 00"
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CHF: 16.00
Hans-Jürg Meier
nie setzt es ein (2002)
for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba
Helical searching for osculation points.
Duration: 12' 00"
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CHF: 26.00
Hans-Jürg Meier
volgere lo sguardo al cielo (2005)
for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
Duration: 11' 30"
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CHF: 23.00
Burkhard Kinzler
round about Haydn – a roundabout (2012)
for 2 flutes, 2 oboes (both also ca), 2 bassoons, 2 natural horns and 2 natural trumpets
Duration: 6' 00"
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CHF: 29.00
Rudolf Jaggi
4 Aspects for 3 Trumpets (1979)
Duration: 8' 00"
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CHF: 21.00
Martin Wendel
Fünf Stücke für Blechbläserquartett, op. 42 (1983)
for two trumpets and two trombones
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.
Duration: 9' 00"
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CHF: 29.00
Balz Trümpy
EIS EROTA (2002)
for soprano, baritone, horn, two trumpets, trombone, percussion and strings
Texts: Altgriechisch
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.

Duration: 12' 00"
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CHF: 62.00
Max E. Keller
senza e con (1989)
for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)
Duration: 10' 00"
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CHF: 18.00
Josef Haselbach
Leporellos Traum (The Dream of Leporello) (1989)
for string orchestra, flute, clarinet, saxophone, trumpet and piano
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.
Duration: 24' 00"
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CHF: 109.00
Edu Haubensak
Spazio Due (2006)
Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
Duration: 13' 00"
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CHF: 31.00
Alfred Knüsel
Detail (2003)
for trumpet and percussion
The middle section sits between rowdy sound and composed form.
Duration: 3' 00"
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CHF: 16.00
(score and parts)
Alfred Knüsel
Abschied und Neubeginn (2003)
for trumpet and percussion
Duration: 4' 40"
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CHF: 16.00
(Partitur und Stimme)
Hans-Jürg Meier
Schwärme von Lichtfischen (2008)
for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.
Duration: 8' 30"
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CHF: 21.00
(Stimmen beim Autor)
Hans-Jürg Meier
das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010)
for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets
Duration: 16' 00"
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CHF: 60.00
Alfred Knüsel
trotz ständigem Wechsel in immer derselben Rolle (2001-2006)
Nine variations
for trumpet solo, string orchestra and percussion
Duration: 18' 00"
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CHF: 42.00
Alfred Knüsel
fünf Extreme eines dynamischen Moments (2006)
Trio
for trumpet and two violins
Duration: 17' 00"
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CHF: 29.00
Thüring Bräm
Transition (1997)
for three trumpets, flugelhorn and bass trumpet
This very soft piece requires lots of pp and a few outbursts from the five trumpets.
Duration: 9' 00"
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CHF: 23.00
Alfred Knüsel
Vesper als Massstabwechsel von einer Realität in eine andere (2006-2007)
for soprano, choir (SATB), flute, zink (tr), trombone and organ
1. Doxologie
2. Antiphon
3. Ektenie I
4. Hymne
5. Ektenie II
Duration: 20' 00"
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CHF: 34.00
Hansruedi Willisegger
Lazarus: Musik für einen Gottesdienst (1969)
for baritone solo, congregation, flute, trumpet, percussion and strings
Duration: 29' 00"
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CHF: 39.00
Hans Eugen Frischknecht
4 Stücke (4 pieces) (2005)
for trumpet and organ
These pieces can be performed together or seperately. Each piece has its own character and brings the various tonal possibilities of the instruments to the fore.
Duration: 9' 00"
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CHF: 26.00
Urs Peter Schneider
Robert Walser Trilogie I,3: Das Mädchen mit den schönen Augen (1988)
Two fantasy pieces
for oboe and trumpet (or two other, slightly different instruments)
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.
Duration: 3' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00
Hans Eugen Frischknecht
Stereophonie (2009)
for 5 trumpets
Suitable for advanced amateuers.
The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.
Duration: 5' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 18.00
Eric Gaudibert
2'35" (2007)
for bassoon solo, bass flute, bass clarinet and trumpet
This piece was composed for the 30th anniversary of the ensemble Contrechamps. The title corresponds to the timing which Bartók set for his Allgero Barbaro. The trio (flute, clarinet, trumpet) play some extracts of this work with breathing sounds only, while the solo bassoon "sings" the beginning of the Music for Strings, Percussion and Celesta, also by Bartók.
It is possible to use other wind instruments then the ones chosen here.
Duration: 3' 40"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 26.00
Hansruedi Willisegger
Frau Musica zur Ehr (1973)
for youth choir, mixed choir, three trumpets, three trombones and tuba
Texts: Volkslied
Duration: 5' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 34.00
Max E. Keller
Grillen (2009)
for trumpet 1 in B, trumpet 2 in B, horn (F), trombone and tuba
The chirping of crickets is generally considered to be soft and quiet, it can, however, become truly clamorous when when many crickets are heard at close quarters - just as one can experience it in the copses or groves of Greece. What is apparently weak can, en mass and under specific circumstances, develop unimagined power. In German the word for cricket is 'Grillen' and carries with it another maeaning: fantastical or dull thoughts.
Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 26.00
Rudolf Jaggi
Im Santyhans (2011)
for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)
Texts: Martin J.P. Schwitter
Duration: 4' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
(Parts: sFr. 29.-; € 22.-)
Stephan Lauffer
Festliches Präludium in c (2012)
for 2 trumpets and 2 trombones
Duration: 3' 20"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00