A native of Switzerland, Hugo Bollschweiler began violin and viola studies at age ten. He received his training at the Université de Fribourg, the Conservatoire de Fribourg, the Musikhochschule Basel (B.M., M.M.), the Peabody Institute of Music (GPD) and the Zurich Musikhochschule where he earned his soloist diploma with the highest distinction. His teachers have included Roberto Diaz, Victoria Chiang, Michel Rouilly and Christoph Schiller.
He has performed and taught at the Mostly Mozart, Lucerne, Davos, Les Arcs, Kuhmo, Montreux, Norse and Yellow Barn festivals and, as an orchestral musician, has played in principal positions with the Swiss National Youth Symphony Orchestra, the Zurich Symphony Orchestra, the Orchestre de Chambre de Fribourg, the Swiss Youth Chamber Orchestra, the Peabody Symphony Orchestra, the Orchestre Phiharmonique Suisse, the Orchestre de Chambre de Neuchâtel, Capriccio Basel and the Orchestra "La Passione". He is also a member of the Camerata Zürich and the Orchestra "La Scintilla" of Zurich Opera.
Hugo Bollschweiler has been performing as a member of the Duo GOYA! (www.allegretto.ch/goya), the Lyonel String Trio, the ensemble "momentum" and touring the U.S. as guest artist with the Colorado and Coolidge String Quartets. Additionally, he has been playing, touring and recording with the Zurich Tonhalle Orchestra, the Zurich Opera House Orchestra, the Basel Chamber Orchestra and the Freiburger Barockorchester. He is also the co-founder of the prizewinning period instrument ensemble "Capriccio Basel".
Hugo Bollschweiler is a first prize winner in the 2001 "Koeckert Viola Competition", the "VALIANT Competition 2000" and the 1993 International Chamber Music Festival Austria, recipient of the 1997 "Olga von Hartz Owens Memorial Prize in strings" from the Peabody Institute, two Peabody Merit Scholarships, four Yellow Barn Music School & Festival scholarships and the 1998 Zurich Tonhalle Scholarship. He was a featured guest performer at BargeMusic, New York, the Los Angeles County Museum of Art, the University of Vermont Lane Series, the Kennedy Center and the Corcoran Art Gallery in Washington D.C.
Hugo Bollschweiler has collaborated with artists such as Donald Weilerstein, Marc Johnson, Bonnie Hampton, Maria Lambros, Nicholas Mann, Curtis Macomber, Rhonda Rider, Toby Appel, Kurt Widmer and ensembles such as the Peabody Trio, the Azmari String Quartet, the Basler Streichquartett and the Sarastro Quartet. He has also given the world premiere of works for solo viola by renowned Swiss composers Rolf Urs Ringger and Bettina Skrzypczak. Hugo Bollschweiler has appeared as soloist with the Swiss Chamber Orchestra, the Winterthur Symphony Orchestra, the Orchestre de Chambre de Neuchâtel, the Swiss National Youth Symphony Orchestra, Capriccio Basel, the Peabody Ensemble, the Zurich Conservatory Orchestra, the Chamber Orchestra 65 and the Orchesterverein Zürich.
His compositions for orchestra, strings and woodwinds are featured on the label Vde-Gallo.
Hugo Bollschweiler plays on a viola made by Santino Lavazza in Milan in 1722.
Liste des oeuvres
Fantasie (1988)
Instrumentation: für 4 Violen
Durée: 5' 00" Manuscrit
3 Intermezzi (1988)
Instrumentation: für 4 Violen
Durée: 7' 00" Manuscrit
Elegie (1988)
Instrumentation: für 3 Violen
Durée: 4' 00" Manuscrit
Kleine Suite (1988)
Instrumentation: für 2 Violen und 2 Violoncelli
Durée: 10' 00" Manuscrit
4 Miniaturen (1988)
Instrumentation: für 5 Violen
Durée: 5' 00" Manuscrit
Trauermusik (1989)
Instrumentation: für 2 Violinen, 2 Violen und Violoncello
Durée: 10' 00" Manuscrit
Hymne (1989)
Instrumentation: für Violine, Viola, Klarinette und Kammerchor
Texte: Hugo Bollschweiler
Durée: 4' 00" Manuscrit
drei sonette (1989)
Instrumentation: für 6 Violen
Durée: 11' 00" Manuscrit
Konzertrondo (1990)
Instrumentation: für Viola und Streicher
Durée: 12' 00" Manuscrit
satyricon (1990)
Instrumentation: für Streichquartett
Durée: 6' 00" Manuscrit
sieben epigramme (1991)
Instrumentation: für Piano solo
Durée: 6' 00" Manuscrit
drei madrigale (1991)
Instrumentation: für Viola und Fagott
Durée: 9' 00" Manuscrit
solosuite no. 1 (1991)
Instrumentation: für Viola
Durée: 8' 00" Manuscrit
weisser turm (1991)
solosuite no. 2
Instrumentation: für Viola
Durée: 9' 00" Manuscrit
zwei stücke (1992)
Instrumentation: für Piano solo
Durée: 5' 00" Manuscrit
Contrepoints concertants (1992)
Instrumentation: pour orchestre à cordes
Durée: 20' 00"
Lausanne-Musique
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